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RedKalion

Cap Martin 2 - claude monet 70x100 cm / 28x40 inches Framed Art Print – Black Wooden Frame

Cap Martin 2 - claude monet 70x100 cm / 28x40 inches Framed Art Print – Black Wooden Frame

Regular price $449.99 USD
Regular price $999.99 USD Sale price $449.99 USD
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Bring the Luminous Mediterranean into Your Home with Monet’s Cap Martin 2

Claude Monet’s Cap Martin 2 is a masterclass in the Impressionist capture of light and atmosphere. Painted during his 1884 excursion to the French Riviera, this piece exemplifies Monet’s fascination with the rugged coastline and the shifting blues of the Mediterranean Sea. At RedKalion, we have meticulously reproduced this archival masterpiece to ensure that every brushstroke and subtle hue of the original work is preserved for the discerning collector.

Historical Context and Artistic Brilliance

During his time at Cap Martin, Monet sought to challenge his palette, moving away from the softer tones of the Seine to the high-contrast, vibrant light of the South. Cap Martin 2 showcases his signature en plein air technique, where short, rhythmic strokes define the movement of the water and the wind-swept vegetation. This museum-quality reproduction offers a window into the evolution of the 19th-century avant-garde, making it a sophisticated addition to any curated space.

Archival Materials and Premium Craftsmanship

Your Claude Monet framed art print is produced using the highest standards of the fine art industry. We utilize 250 gsm (110 lb) natural white, archival museum-quality paper. This matte, uncoated paper has a thickness of 0.29 mm (11.4 mils), providing a tactile weight and a surface that eliminates glare while enhancing color depth. The 70x100 cm (28x40 inches) print is housed in a premium black wooden frame, crafted from responsibly sourced oak or ash, measuring 20mm (0.79") in width and thickness for a robust, gallery-style presence.

  • Sustainable Elegance: All materials are FSC-certified or equivalent, supporting responsible forestry.
  • Protection: Each print is shielded by shatterproof plexiglass, ensuring longevity and safety.
  • Ready-to-Hang: Your order arrives with a professional hanging kit included, allowing for immediate installation.
  • Enduring Beauty: The archival nature of the paper prevents yellowing, ensuring your investment remains vibrant for decades.
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What paper is used for the Cap Martin 2 print?

We use 250 gsm (110 lb) natural white, archival museum-quality paper. It is matte, uncoated, and acid-free, ensuring your fine art print maintains its integrity and vibrant colors for generations without yellowing or degradation.

Tell me about the construction of the black wooden frame.

The frame is crafted from responsibly sourced oak or ash wood. It features a sophisticated 20mm (0.79") profile, providing a deeper, more substantial look than standard 14mm frames, perfectly complementing the large 70x100 cm format.

How is the artwork protected within the frame?

Every framed print is protected by high-quality, shatterproof plexiglass. This provides the clarity of glass while ensuring the artwork is safe from breakage during shipping and remains protected from dust and UV exposure once hung.

Is the framed print ready to be displayed upon arrival?

Yes, each RedKalion framed art print comes with a pre-installed hanging kit. It is designed to be ready-to-hang immediately, allowing you to elevate your interior design without the need for additional hardware.

Are the materials used for this print sustainable?

Sustainability is core to RedKalion. All wood and paper used in our products are FSC-certified or equivalent, ensuring that your art acquisition supports ethical and environmentally responsible forestry practices.

When did Claude Monet paint Cap Martin 2?

Monet painted the Cap Martin series in early 1884. This period was crucial as he transitioned to a more vibrant, high-key palette to capture the unique, crystalline light of the Mediterranean coastline.

What is unique about Monet's Mediterranean period?

This period marked Monet's departure from Northern European landscapes. He focused on the intense color saturated by Southern sunlight, experimenting with turquoise, emerald, and pink hues that were revolutionary for the Impressionist movement at the time.