• 1-4 um excentrum IV - 1969 - Max Bill 70x100 cm / 28x40 inches Framed Art Print – Black Wooden Frame
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RedKalion

1-4 um excentrum IV - 1969 - Max Bill 70x100 cm / 28x40 inches Framed Art Print – Black Wooden Frame

1-4 um excentrum IV - 1969 - Max Bill 70x100 cm / 28x40 inches Framed Art Print – Black Wooden Frame

$449.99 USD
$999.99 USD $449.99 USD
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A Precision Masterpiece: Max Bill’s 1-4 um excentrum IV (1969)

Experience the pinnacle of Swiss Design and Concrete Art with this museum-quality reproduction of Max Bill’s '1-4 um excentrum IV'. Created in 1969, this work exemplifies Bill’s commitment to mathematical logic and structural clarity. As a protégé of the Bauhaus and a founder of the Ulm School of Design, Bill transformed complex geometric permutations into visually arresting compositions that define modern minimalism.

This fine art print captures the subtle interplay of shifting centers and geometric expansion that characterizes the 'excentrum' series. At RedKalion, we honor Bill’s exacting standards by utilizing archival museum-quality paper. The 250 gsm (110 lb) natural white, uncoated stock ensures that the vibrant, precise lines and balanced color fields are rendered with absolute fidelity, avoiding the glare associated with lesser prints.

Craftsmanship and Sustainability

Every element of this framed art print is designed for longevity and aesthetic sophistication. The piece is housed in a premium black wooden frame crafted from responsibly sourced oak and ash. Measuring 20mm (0.79") in width, the frame offers a more substantial, high-end profile than standard commercial alternatives. To ensure your investment remains pristine, each print is protected by shatterproof plexiglass and arrives with a professional hanging kit, ready to elevate your interior space immediately.

  • Artist: Max Bill (1969)
  • Paper: 250 gsm archival, matte finish, FSC-certified.
  • Frame: 20mm thick solid wood in a sleek black finish.
  • Durability: Museum-grade materials designed to prevent yellowing or fading over time.

By choosing this RedKalion edition, you are not simply purchasing a reproduction; you are acquiring a curated piece of art history that embodies the intellectual rigor of 20th-century geometric abstraction.

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What are the specific paper and print specifications?

This print uses 250 gsm (110 lb) archival museum-quality paper. It is natural white, uncoated, and matte-finished to ensure a glare-free viewing experience and exceptional color depth that meets fine art standards.

Is the frame made of real wood?

Yes, we use responsibly sourced oak and ash wood. Our frames are 20mm (0.79") thick, providing a premium, sturdy profile that is more substantial than the common 14mm frames found elsewhere.

How is the artwork protected during shipping and display?

Each frame is fitted with shatterproof plexiglass, offering superior protection without the risk of breakage. We ship our framed art prints in robust, protective packaging to ensure they arrive in perfect condition.

Is this print ready to hang upon arrival?

Absolutely. Your Max Bill framed art print comes with a pre-installed hanging kit, allowing you to mount it on your wall immediately upon delivery with no additional assembly required.

What makes RedKalion prints archival quality?

We use FSC-certified, acid-free paper and archival inks. This combination prevents the paper from yellowing and the colors from fading, ensuring your artwork remains a centerpiece for decades.

Who was Max Bill and why is his work significant?

Max Bill was a Swiss polymath and a key figure in the Concrete Art movement. His work is celebrated for using mathematical structures to create aesthetic harmony, bridging the gap between science and art.

What does 'Concrete Art' mean in the context of this piece?

Concrete Art refers to works created through purely mathematical or geometric logic, rather than representing the external world. Bill's '1-4 um excentrum IV' is a perfect example of this structured, autonomous creativity.