
What makes the paper quality museum-grade?
We use 250 gsm (110 lb) archival paper, which is significantly heavier than standard prints. It is acid-free, natural white, and uncoated, ensuring the colors remain vibrant and the paper does not yellow over time.
Is the frame made of real wood?
Yes, our frames are made from premium, responsibly sourced oak and ash wood. They feature a 20mm profile, providing a sturdy, gallery-standard aesthetic that is superior to typical 14mm frames.
How is the artwork protected during shipping and display?
Each print is protected by shatterproof, high-clarity plexiglass and shipped in robust packaging. This ensures your Helen Frankenthaler print arrives in pristine condition and remains safe from breakage in your home.
Is this product environmentally friendly?
Absolutely. RedKalion uses FSC-certified materials or equivalent certifications depending on regional availability, supporting sustainable forest management for both our paper and wooden frames.
Does the print come ready to hang?
Yes, your framed art print includes a high-quality hanging kit. It is designed to be ready to hang directly on your wall immediately upon unboxing.
What is the significance of the title 10 29 52?
The title 10 29 52 refers to the date the artwork was completed: October 29, 1952. This period was pivotal for Frankenthaler as she moved away from traditional gestures toward her signature soak-stain style.
How does this print represent the Color Field movement?
This work illustrates Frankenthaler’s role in Color Field painting by emphasizing the flatness of the canvas and the atmospheric use of color, moving beyond the aggressive brushwork of her contemporaries.