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At RedKalion, you can find virtually any artwork from any artist, available in a wide range of sizes to perfectly match your space.
If you didn’t find what you’re looking for, contact us at support@redkalion.com . We will source any artwork and produce it in any size and format you need, including art prints, posters, canvas, framed pieces, framed canvas, and more.
For dedicated art enthusiasts, we also offer handcrafted replicas of any artwork, carefully painted by highly skilled artists using traditional techniques.
For custom requests, contact us at support@redkalion.com .
What defines the quality of this John Hoyland art print?
This is a museum-quality reproduction printed on 250 gsm (110 lb) archival paper. The matte finish and high-density pigments ensure a vibrant, non-reflective representation of Hoyland's 1960s abstract color palette.
What is the framing material used?
The frame is constructed from 20mm (0.79") thick responsibly sourced oak and ash wood. This premium width provides better stability and a more luxurious aesthetic than typical gallery frames.
Is the paper used for this reproduction sustainable?
Yes, RedKalion uses FSC-certified materials or equivalent certifications. Our 250 gsm paper is natural white, uncoated, and sourced from sustainable forests to minimize environmental impact.
How is the artwork protected during display?
Each print is shielded by premium shatterproof plexiglass. This provides the clarity of glass while ensuring safety and protecting the archival paper from environmental damage and dust.
Is the frame ready to hang upon arrival?
Absolutely. Your John Hoyland print comes fully assembled in its black wooden frame with a hanging kit included, allowing for immediate installation in your preferred space.
What is the significance of the title '121268 - 1969'?
John Hoyland often used numbers and dates for titles to avoid imposing a literal narrative. This allows the viewer to focus purely on the interaction of color, scale, and form.
How does Hoyland’s 1969 work differ from his earlier pieces?
In 1969, Hoyland moved away from thin, stained color washes toward thicker, more structural 'slabs' of color, creating a more architectural and physical presence on the canvas.
