
Discover Unlimited Art Possibilities
At RedKalion, you can find virtually any artwork from any artist, available in a wide range of sizes to perfectly match your space.
If you didn’t find what you’re looking for, contact us at support@redkalion.com . We will source any artwork and produce it in any size and format you need, including art prints, posters, canvas, framed pieces, framed canvas, and more.
For dedicated art enthusiasts, we also offer handcrafted replicas of any artwork, carefully painted by highly skilled artists using traditional techniques.
For custom requests, contact us at support@redkalion.com .
What material is used for the 180 COLORS print?
This Gerhard Richter print is crafted from 4mm (0.15") premium acrylic, which provides a sleek, vibrant, and durable finish that enhances the depth of the 180 colors.
How do I install this acrylic wall art?
Each print includes a full hanging kit with screws. It features pre-drilled holes at each corner, 14mm (0.55") from the edge, with an 8mm (0.31") diameter hole.
Is the background of the print transparent?
No, transparent backgrounds default to white. This ensures the 180 COLORS palette remains vivid and perfectly balanced against a clean, neutral backdrop as intended by the artist.
How is the artwork shipped to ensure it doesn't break?
RedKalion uses high-durability, secure packaging specifically designed for acrylic prints. We guarantee your museum-quality reproduction will arrive in pristine condition, ready for display.
Will the colors of my Richter print fade over time?
Our prints use archival-grade inks and UV-resistant acrylic. This combination protects the artwork from light damage, ensuring the colors remain as vibrant as the day they were printed.
What is the significance of the 180 COLORS arrangement?
Richter's 180 COLORS (1971) explores the objective nature of color. By using a systematic grid, he removed the artist's subjective choice, allowing color to exist as its own entity.
Why did Gerhard Richter use color charts in his work?
Richter was fascinated by the lack of emotion in industrial color charts. He used them to create 'non-composed' art, challenging traditional ideas of what a painting should be.
