
What does the "Detail" number represent in Roman Opalka's work?
The "Detail" indicates a specific segment of Opalka's lifelong sequence. Each number represents a moment in time, with the numbers 868149-893746 specifically documenting his progress during the year 1971 as part of his infinite count toward the end of his life.
What are the specific materials used for this Roman Opalka framed print?
We use 250 gsm (110 lb) natural white, archival-grade paper with a matte finish. The frame is 20mm thick black-stained oak or ash wood, protected by shatterproof plexiglass, ensuring a museum-quality presentation and long-term preservation.
Is the frame durable and ready for display?
Yes. Our frames are 20mm (0.79") thick, providing more durability than standard 14mm frames. Every order arrives ready-to-hang with a pre-installed hanging kit, allowing you to display your artwork immediately upon delivery.
How does RedKalion ensure the archival longevity of the artwork?
RedKalion uses acid-free, FSC-certified museum paper and high-pigment inks. This combination ensures that the print resists yellowing and fading over time, maintaining the crispness of the white-on-grey numerical details for decades to come.
What are the shipping and handling protocols for large framed prints?
Each 70x100 cm framed print is carefully packaged in reinforced, secure shipping materials. We include shatterproof plexiglass to prevent damage during transit, ensuring your Roman Opalka masterpiece arrives in pristine condition at your doorstep.
When did Opalka begin this specific sequence?
Roman Opalka began his "1 – ∞" project in 1965 in Warsaw. He started with the number 1 in the top-left corner of the first canvas and continued counting sequentially on new canvases until his death in 2011.
Why did Opalka use a 1% white progression in his background?
Beginning in 1972, Opalka added 1% more white to the background of each new canvas. This technique symbolized the "whitening" or aging of time, eventually leading to white numbers on a white background—a state he called "blanc sur blanc."