• 62-5 - 1962 - Martin Barre 70x100 cm / 28x40 inches Framed Art Print – Black Wooden Frame
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RedKalion

62-5 - 1962 - Martin Barre 70x100 cm / 28x40 inches Framed Art Print – Black Wooden Frame

62-5 - 1962 - Martin Barre 70x100 cm / 28x40 inches Framed Art Print – Black Wooden Frame

$449.99 USD
$999.99 USD $449.99 USD
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Elevate Your Space with Martin Barré’s Minimalist Masterpiece: '62-5' (1962)

Experience the profound simplicity of Martin Barré, a visionary of French abstraction, with this museum-quality reproduction of '62-5'. Created in 1962, this piece belongs to Barré’s revolutionary 'bombage' series, where he pioneered the use of a spray can to delineate space with a single, calculated gesture. This fine art print captures the raw, industrial elegance of the original, offering a sophisticated focal point for modern and minimalist interiors.

Art Historical Context: The 'Bombage' Technique

In the early 1960s, Martin Barré sought to strip painting down to its essential elements. By utilizing an aerosol spray, he removed the traditional texture of the brushstroke, focusing instead on the line's trajectory and the void of the canvas. '62-5' represents a pivotal moment in conceptual art, where the artist explores the tension between the mark and the surrounding space. At RedKalion, we preserve this historical integrity through high-fidelity printing that honors the subtle nuances of Barré’s monochromatic palette.

Archival Excellence by RedKalion

This 70x100 cm (28x40 inches) framed art print is crafted to the highest standards of the fine art market. We utilize 250 gsm (110 lb) archival museum-quality paper, featuring a matte, uncoated, natural white finish that prevents glare and ensures the depth of the black spray-line remains striking for generations. The print is housed in a responsibly sourced black wooden frame, offering a robust 20mm (0.79") profile that provides significantly more presence than standard gallery frames.

  • Sustainably Sourced: FSC-certified oak and ash wood frames.
  • Crystal Clear Protection: Shatterproof plexiglass ensures safety and clarity.
  • Ready-to-Hang: Delivered with a professional hanging kit for immediate installation.
  • Enduring Quality: Acid-free paper prevents yellowing over time, maintaining the '62-5' aesthetic.
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What makes the RedKalion reproduction of Martin Barré's '62-5' unique?

Our reproduction uses archival-grade 250 gsm paper and high-definition ink to replicate the specific density of Barré’s 1962 spray-can technique, ensuring a museum-quality aesthetic that honors the minimalist history of the original work.

What are the specific measurements and materials of the frame?

The frame is crafted from premium, responsibly sourced black oak and ash. It measures 20mm (0.79") in both width and thickness, providing a more substantial and luxurious feel than standard 14mm frames.

Is the print protected against environmental damage?

Yes. Each Martin Barré print is protected by shatterproof, transparent plexiglass and printed on FSC-certified, acid-free museum paper (0.29 mm thickness) to ensure archival longevity and resistance to yellowing.

How is the framed art print shipped and is it ready to hang?

We ship our prints in secure, protective packaging. Your 70x100 cm frame arrives fully assembled and includes a professional hanging kit, making it ready to hang directly on your wall upon arrival.

Does this print use sustainable materials?

Absolutely. RedKalion is committed to sustainability, using FSC-certified wood and paper or equivalent certifications, ensuring that your art collection supports responsible forest management and environmental standards.

What was Martin Barré's 'bombage' technique used in 1962?

The 'bombage' technique involved using an aerosol spray can to create lines. This allowed Barré to explore the 'zero degree' of painting, emphasizing the physical movement of the line across the canvas rather than traditional texture.

Why is '62-5' considered a significant work in minimalist art?

'62-5' is a masterclass in spatial awareness. By using minimal marks, Barré forces the viewer to engage with the canvas's emptiness, making the void as important as the line itself, a cornerstone of minimalist theory.