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At RedKalion, you can find virtually any artwork from any artist, available in a wide range of sizes to perfectly match your space.
If you didn’t find what you’re looking for, contact us at support@redkalion.com . We will source any artwork and produce it in any size and format you need, including art prints, posters, canvas, framed pieces, framed canvas, and more.
For dedicated art enthusiasts, we also offer handcrafted replicas of any artwork, carefully painted by highly skilled artists using traditional techniques.
For custom requests, contact us at support@redkalion.com .
What makes this Robert Goodnough print museum-quality?
We use 250 gsm archival-grade, FSC-certified paper and high-definition inks that replicate the artist's original intent. Combined with a 20mm premium frame, this reproduction meets the highest standards of art gallery displays.
Is the black wooden frame included and ready for display?
Yes, the print comes pre-installed in a 20mm thick black frame made from solid oak and ash. A hanging kit is included, making your artwork ready-to-hang immediately upon arrival.
What are the technical specifications of the paper used?
The artwork is printed on 250 gsm (110 lb) natural white, uncoated matte paper. It has a thickness of 0.29 mm (11.4 mils), providing a premium, tactile feel and archival longevity.
How is the artwork protected during shipping?
Each framed print is shielded by shatterproof plexiglass and packaged in specialized protective materials to ensure it arrives in pristine condition at your doorstep, regardless of the destination.
Will the colors in this 1992 reproduction fade over time?
No. By using archival-quality, acid-free paper and UV-resistant inks, RedKalion ensures that the vibrant colors and subtle shifts in Goodnough’s work remain consistent for decades.
What is the significance of the title 7--7--N?
Goodnough often used alphanumeric titles to avoid directing the viewer’s emotion, allowing the rhythmic clusters of shapes to speak for themselves as pure abstraction without representational bias.
How does Goodnough’s 1992 style differ from his earlier 1950s work?
By 1992, Goodnough’s work had shifted from the dense, frantic energy of early Abstract Expressionism to a more refined, airy, and 'floating' aesthetic known as his signature color-field clusters.
