• 7--7--N - 1992 - Robert Goodnough 70x100 cm / 28x40 inches Framed Art Print – Black Wooden Frame
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RedKalion

7--7--N - 1992 - Robert Goodnough 70x100 cm / 28x40 inches Framed Art Print – Black Wooden Frame

7--7--N - 1992 - Robert Goodnough 70x100 cm / 28x40 inches Framed Art Print – Black Wooden Frame

$449.99 USD
$999.99 USD $449.99 USD
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Elevate Your Space with Robert Goodnough’s 7--7--N (1992)

Experience the sophisticated fusion of late-century abstraction and lyrical precision with this museum-quality reproduction of Robert Goodnough's 7--7--N. Created in 1992, this piece represents a pinnacle of Goodnough’s mature period, where the chaotic energy of the early Abstract Expressionists evolved into a more disciplined, rhythmic exploration of shape and color. At 70x100 cm (28x40 inches), this framed art print captures the weightless motion and intellectual depth that defined Goodnough’s contribution to the New York School.

A Masterpiece of Archival Craftsmanship

At RedKalion, we curate more than just prints; we deliver heritage-grade artworks. This reproduction is meticulously rendered on 250 gsm (110 lb) natural white, archival museum-quality paper. Unlike standard prints, our paper is uncoated and matte, ensuring that the subtle nuances of Goodnough’s color palette are preserved without distracting glare. The result is a fine art print that exhibits the same depth and texture as an original gallery piece.

Framed to Perfection

The artwork is housed in a premium black wooden frame, crafted from responsibly sourced ash and oak. To ensure a presence that matches its artistic weight, we utilize a 20mm (0.79") thick profile, providing a more substantial and luxurious aesthetic than the common 14mm alternatives. Each piece arrives ready-to-hang with a professional-grade kit included. Protecting the vibrant ink is a layer of shatterproof plexiglass, offering crystal-clear visibility while ensuring long-term durability in any environment.

Historical Context & Artistic Significance

Robert Goodnough was renowned for his ability to synthesize disparate styles—moving between the gestural 'drip' and the hard-edged geometric. In 7--7--N, the viewer observes a cluster of forms that seem to float across the canvas, a hallmark of his 'color-field' influence. This 1992 work serves as a testament to his enduring legacy, making it an essential acquisition for collectors of modern abstract art who value the balance between spontaneity and structure.

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What makes this Robert Goodnough print museum-quality?

We use 250 gsm archival-grade, FSC-certified paper and high-definition inks that replicate the artist's original intent. Combined with a 20mm premium frame, this reproduction meets the highest standards of art gallery displays.

Is the black wooden frame included and ready for display?

Yes, the print comes pre-installed in a 20mm thick black frame made from solid oak and ash. A hanging kit is included, making your artwork ready-to-hang immediately upon arrival.

What are the technical specifications of the paper used?

The artwork is printed on 250 gsm (110 lb) natural white, uncoated matte paper. It has a thickness of 0.29 mm (11.4 mils), providing a premium, tactile feel and archival longevity.

How is the artwork protected during shipping?

Each framed print is shielded by shatterproof plexiglass and packaged in specialized protective materials to ensure it arrives in pristine condition at your doorstep, regardless of the destination.

Will the colors in this 1992 reproduction fade over time?

No. By using archival-quality, acid-free paper and UV-resistant inks, RedKalion ensures that the vibrant colors and subtle shifts in Goodnough’s work remain consistent for decades.

What is the significance of the title 7--7--N?

Goodnough often used alphanumeric titles to avoid directing the viewer’s emotion, allowing the rhythmic clusters of shapes to speak for themselves as pure abstraction without representational bias.

How does Goodnough’s 1992 style differ from his earlier 1950s work?

By 1992, Goodnough’s work had shifted from the dense, frantic energy of early Abstract Expressionism to a more refined, airy, and 'floating' aesthetic known as his signature color-field clusters.