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RedKalion

9th Street - 1978 - Robert Goodnough Acrylic Print - 70x100 cm / 28x40″ inches

9th Street - 1978 - Robert Goodnough Acrylic Print - 70x100 cm / 28x40″ inches

Regular price $399.99 USD
Regular price $899.99 USD Sale price $399.99 USD
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Robert Goodnough's '9th Street' (1978): A Masterpiece of Lyrical Abstraction

Experience the rhythmic precision and ethereal beauty of Robert Goodnough’s '9th Street' (1978). As a pivotal figure of the second-generation New York School, Goodnough’s later works represent a sophisticated fusion of Abstract Expressionism and Color Field painting. This particular 1978 composition showcases his signature 'cluster' technique—meticulously arranged geometric shards that seem to vibrate with internal energy across the canvas.

At RedKalion, we preserve the integrity of this modern masterpiece through our museum-quality acrylic prints. The depth and clarity of the 4mm (0.15") acrylic glass enhance the subtle tonal shifts and dynamic gestures of Goodnough’s palette, offering a luminous quality that traditional paper cannot replicate. This is not merely a reproduction; it is a contemporary window into the legacy of mid-century American abstraction.

Premium Material & Modern Craftsmanship

  • Archival Clarity: The 4mm acrylic finish provides a sleek, high-gloss surface that protects the artwork while intensifying the vibrancy of the pigments.
  • Sophisticated Geometry: Featuring straight-cut corners for a modern, minimalist aesthetic that complements Goodnough’s structured abstraction.
  • Integrated Hanging System: Each piece arrives with a professional-grade kit, including screws and pre-drilled holes located 14mm (0.55") from the edge for a secure and seamless installation.
  • Substantial Presence: Measuring 70x100 cm (28x40"), this print serves as a sophisticated focal point for high-end interiors and galleries alike.

By choosing a RedKalion reproduction, you are investing in an archival-grade masterpiece designed to endure. Our commitment to excellence ensures that the legacy of Robert Goodnough’s 1978 vision is honored with the highest standards of clarity, color accuracy, and structural durability.

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What makes the '9th Street' (1978) Robert Goodnough acrylic print unique?

This print captures Goodnough's late-career mastery of geometric clusters. The 4mm acrylic material adds a 3D-like depth and luminosity that highlights his intricate layering and movement, making it a superior choice for fine art collectors.

What are the specific dimensions and material properties of this fine art reproduction?

The print measures 70x100 cm (28x40"). It is crafted from premium 4mm acrylic with straight-cut corners, ensuring a vibrant, durable, and modern finish that resists fading and environmental damage.

How is the acrylic print prepared for hanging?

Each print includes a professional hanging kit with screws. Pre-drilled holes are positioned 14mm from each corner, featuring 8mm diameters and 15mm screw heads for a secure and perfectly aligned mounting.

What is the archival longevity of a RedKalion museum-quality print?

RedKalion uses archival-grade processes that ensure color stability and material integrity for decades. The 4mm acrylic acts as a protective shield against UV light and moisture, preserving the artwork's original brilliance.

How is the artwork packaged for secure shipping?

We use heavy-duty, impact-resistant packaging specifically designed for large-format acrylic prints. This ensures your Robert Goodnough masterpiece arrives in pristine condition, protected from scratches and structural stress during transit.

What was Robert Goodnough’s significance in the New York School of abstract art?

Goodnough was a key bridge between Abstract Expressionism and Color Field painting. His work is celebrated for its 'clusters' of shapes, balancing spontaneous energy with a unique, self-imposed discipline and architectural structure.

How does the year 1978 reflect Goodnough's stylistic evolution?

By 1978, Goodnough had refined his style into sophisticated, large-scale compositions. His work moved away from early calligraphic roots toward a more ethereal, light-filled abstraction that prioritized the interplay of color and negative space.