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At RedKalion, you can find virtually any artwork from any artist, available in a wide range of sizes to perfectly match your space.
If you didn’t find what you’re looking for, contact us at support@redkalion.com . We will source any artwork and produce it in any size and format you need, including art prints, posters, canvas, framed pieces, framed canvas, and more.
For dedicated art enthusiasts, we also offer handcrafted replicas of any artwork, carefully painted by highly skilled artists using traditional techniques.
For custom requests, contact us at support@redkalion.com .
What quality paper is used for this Juan Gris print?
We use 250 gsm (110 lb) archival museum-quality paper. It is natural white, uncoated, and matte-finished to ensure long-term color stability and a premium feel without glare.
What are the specifications of the black wooden frame?
The frame is made from responsibly sourced oak and ash, measuring 20mm (0.79") in both thickness and width. This provides a sturdier, more elegant profile than standard 14mm frames.
Is the artwork protected against damage?
Yes, each framed print is protected by shatterproof plexiglass. This ensures the artwork is shielded from dust and physical impact while maintaining museum-grade clarity.
Is this fine art print environmentally friendly?
RedKalion prioritizes sustainability. All paper and wood used in our frames are FSC-certified or equivalent, ensuring responsible forest management and reduced environmental impact.
How is the framed print delivered?
Your artwork arrives ready-to-hang with a pre-installed hanging kit. We use secure, specialized packaging to ensure your museum-quality reproduction reaches you in perfect condition.
What makes Juan Gris’s 1914 period significant?
In 1914, Juan Gris perfected Synthetic Cubism, moving away from fragmented forms toward more legible, overlapping geometric shapes and integrated textures, often incorporating 'papier collé' techniques.
What is 'Synthetic Cubism' in the context of this piece?
Synthetic Cubism involves building up an image from diverse components and shapes rather than breaking down an object. In 'A Man in a Café', Gris uses this to create a rhythmic, structured composition.
