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At RedKalion, you can find virtually any artwork from any artist, available in a wide range of sizes to perfectly match your space.
If you didn’t find what you’re looking for, contact us at support@redkalion.com . We will source any artwork and produce it in any size and format you need, including art prints, posters, canvas, framed pieces, framed canvas, and more.
For dedicated art enthusiasts, we also offer handcrafted replicas of any artwork, carefully painted by highly skilled artists using traditional techniques.
For custom requests, contact us at support@redkalion.com .
What is the quality of the paper used for 'A Slice of Melon'?
We use 250 gsm (110 lb) museum-quality paper. It is a natural white, uncoated, and matte archival paper, ensuring your Mary Fedden print remains vibrant and free from glare for decades.
Is the frame sustainably sourced?
Yes, all our frames are made from FSC-certified or equivalent responsibly sourced oak and ash wood. The black wooden frame is 20mm thick, providing a premium, durable finish.
How is the artwork protected during shipping and display?
The print is protected by high-quality, shatterproof plexiglass. For shipping, we use specialized protective packaging to ensure your framed art print arrives in pristine condition.
Does the print come ready to hang?
Yes, your 70x100 cm Mary Fedden print arrives fully assembled in its frame with a hanging kit included, making it ready to hang directly on your wall.
What is the archival longevity of this Mary Fedden print?
Our prints are produced using archival-grade museum paper and techniques. This ensures the reproduction of 'A Slice of Melon' resists fading and paper degradation over time.
Who was Mary Fedden and why is 'A Slice of Melon' significant?
Mary Fedden (1915–2012) was a renowned British painter known for her unique still lifes. 'A Slice of Melon' (1990) showcases her mature style, blending bold color blocks with flattened modernist perspectives.
What characterizes the style of this 1990 composition?
The piece features Fedden’s hallmark simplified forms and vibrant use of color. By 1990, her work achieved a sophisticated balance between domestic charm and high-art modernism, typical of her celebrated career.
