• ABSTRACT 1957 - Taro Yamamoto 70x100 cm / 28x40 inches Framed Art Print – Black Wooden Frame
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RedKalion

ABSTRACT 1957 - Taro Yamamoto 70x100 cm / 28x40 inches Framed Art Print – Black Wooden Frame

ABSTRACT 1957 - Taro Yamamoto 70x100 cm / 28x40 inches Framed Art Print – Black Wooden Frame

$449.99 USD
$999.99 USD $449.99 USD
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Rediscover Mid-Century Modernism: Abstract 1957 by Taro Yamamoto

Elevate your interior with a museum-quality reproduction of Abstract 1957, a seminal work by the Japanese-American painter Taro Yamamoto. A prominent figure of the New York School and a protégé of the legendary Hans Hofmann, Yamamoto infused his canvases with a dynamic energy that bridges Eastern calligraphic rhythm and Western gestural abstraction.

This fine art print captures the raw, expressive power of the late 1950s, an era when the abstract movement was redefining the boundaries of visual language. Every brushstroke is rendered with meticulous clarity on 250 gsm (110 lb) archival museum-quality paper. The natural white, matte finish eliminates glare, allowing the complex interplay of color and form to take center stage, much as it would in a gallery setting.

RedKalion is dedicated to preserving the integrity of such masterpieces. Our commitment to excellence is reflected in the physical construction of this framed piece:

  • Exquisite Framing: Encased in a premium 20mm (0.79") thick black wooden frame, crafted from responsibly sourced oak and ash. This substantial profile offers more presence and durability than standard commercial frames.
  • Archival Longevity: The use of uncoated, acid-free paper ensures that the vibrant pigments of Yamamoto’s work remain pristine for generations without yellowing.
  • Shatterproof Protection: A layer of high-grade shatterproof plexiglass protects your investment, providing crystal-clear visibility while safeguarding the print from environmental factors.
  • Sustainable Elegance: Our materials are FSC-certified, aligning museum-level curation with environmental responsibility.

Arriving ready-to-hang with an included hanging kit, this 70x100 cm (28x40 inch) framed art print transforms any space into a sophisticated sanctuary of modern art history. Invest in an archival masterpiece that endures and resonates.

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What are the specific paper qualities of this Taro Yamamoto print?

The print uses 250 gsm (110 lb) natural white, archival museum-quality paper. It is uncoated and matte, providing a non-reflective finish that highlights the intricate details of Yamamoto's abstract brushwork while ensuring long-term durability without fading.

What material is used for the black frame?

Our frames are crafted from responsibly sourced, high-quality oak and ash wood. The black frame measures 20mm (0.79") in thickness and width, providing a sturdier and more premium aesthetic than standard 14mm frames found elsewhere.

How is the artwork protected during shipping and display?

Each framed print is shielded by shatterproof plexiglass, which offers superior protection against breakage while maintaining visual clarity. We ship each piece in robust, protective packaging to ensure it arrives in gallery-perfect condition.

Is the Abstract 1957 print ready to hang upon arrival?

Yes. Every RedKalion framed art print comes with a pre-installed hanging kit. You can display your museum-quality Taro Yamamoto piece directly on your wall the moment it arrives at your door.

Are the materials used for this print environmentally sustainable?

Absolutely. We prioritize the planet by using FSC-certified wood and paper or equivalent sustainable materials. This ensures that your fine art reproduction is as ethically produced as it is aesthetically pleasing.

What is the significance of the year 1957 in Yamamoto’s work?

1957 represents the height of Abstract Expressionism. During this time, Yamamoto was deeply influenced by the 'push and pull' color theory of his mentor, Hans Hofmann, creating works that balanced spatial tension with vibrant, gestural energy.

What art movement does Abstract 1957 belong to?

This piece belongs to the New York School of Abstract Expressionism. It reflects the mid-century modern movement's focus on spontaneous, subconscious creation and the physical act of painting as a form of emotional expression.