
What materials are used for the Victor Pasmore print?
We use 250 gsm (110 lb) archival museum-quality paper. The paper is natural white, matte, and uncoated, ensuring high-definition detail and long-term durability for this 1949 abstract reproduction.
What are the frame specifications for this artwork?
The print is housed in a 20mm (0.79") thick black wooden frame made from sustainably sourced oak and ash. This premium width provides superior structural integrity compared to standard thin frames.
Is the art print ready to hang upon arrival?
Yes. Your framed Victor Pasmore art print includes a specialized hanging kit. It is delivered fully assembled and ready to be mounted on your wall immediately upon unboxing.
How is the artwork protected during shipping and display?
We use shatterproof, transparent plexiglass to protect the print from environmental factors. The materials are archival-grade, and we ship in robust, secure packaging to ensure it arrives in pristine condition.
Is the paper used for this print sustainable?
Absolutely. RedKalion utilizes FSC-certified paper or local equivalent certifications, ensuring that your fine art print is produced with respect for the world's forests and the environment.
What is the historical significance of Abstract in White Grey and Ochre (1949)?
This piece represents Victor Pasmore's definitive break from representational art, leading the way for the British Constructivist movement and pioneering purely spatial, non-objective composition in the post-war era.
How should I maintain my archival framed print?
To preserve the archival quality, avoid direct sunlight. Clean the shatterproof plexiglass with a soft, dry microfiber cloth. The matte 250 gsm paper is naturally resistant to aging and yellowing.