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At RedKalion, you can find virtually any artwork from any artist, available in a wide range of sizes to perfectly match your space.
If you didn’t find what you’re looking for, contact us at support@redkalion.com . We will source any artwork and produce it in any size and format you need, including art prints, posters, canvas, framed pieces, framed canvas, and more.
For dedicated art enthusiasts, we also offer handcrafted replicas of any artwork, carefully painted by highly skilled artists using traditional techniques.
For custom requests, contact us at support@redkalion.com .
What makes the 12-color printing process superior for Richter’s work?
Our 12-color fine art technology captures the subtle tonal shifts and deep pigments of Abstract Painting 780-1. This provides far greater color accuracy and depth than standard 4-color inkjet printers, ensuring a museum-quality reproduction on every postcard.
What are the specific paper characteristics of these postcards?
Each card is printed on 200 gsm (80 lb) paper with a thickness of 0.26 mm. The smooth matte finish eliminates glare, providing a sophisticated texture that is durable and perfect for both archiving and correspondence.
Is the paper used for these art cards environmentally friendly?
Yes. RedKalion prioritizes sustainability by using FSC-certified paper. This ensures that your Gerhard Richter postcards are produced using responsibly sourced materials that meet strict environmental and social standards.
How are the postcards packaged and shipped?
Our postcards are printed on demand to reduce waste and ensure quality. They are carefully packaged as a set of 10 to ensure they arrive in pristine condition, ready for framing or gifting.
Will the colors fade over time?
These are archival-grade reproductions. When kept out of direct high-intensity UV light, our 12-color pigment inks and premium matte paper are designed to resist fading, maintaining their vibrancy for decades.
What is the significance of the '780' numbering in Richter’s work?
Richter uses a chronological numbering system for his oeuvre. '780-1' identifies this specific work within his catalog raisonné, marking it as a key entry in his exploration of systematic abstraction during the 1990s.
What was Richter’s intent with the squeegee technique seen here?
Richter sought to remove the 'artist's hand' from the work. By using a squeegee to scrape paint, he allowed chance, friction, and physical mechanics to create textures that human brushwork could never achieve naturally.
