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At RedKalion, you can find virtually any artwork from any artist, available in a wide range of sizes to perfectly match your space.
If you didn’t find what you’re looking for, contact us at support@redkalion.com . We will source any artwork and produce it in any size and format you need, including art prints, posters, canvas, framed pieces, framed canvas, and more.
For dedicated art enthusiasts, we also offer handcrafted replicas of any artwork, carefully painted by highly skilled artists using traditional techniques.
For custom requests, contact us at support@redkalion.com .
What material is used for the Piero Manzoni Achrome print?
The artwork is printed on 3mm brushed silver Aluminum DIBOND®, featuring a horizontal grain and a metallic finish that enhances the industrial aesthetic of the fine art print.
Is the hanging hardware included with the print?
Yes, each Piero Manzoni Aluminum Print includes a high-quality hanging kit, which varies slightly depending on the country of fulfillment to ensure the best fit.
What is the finish of the aluminum print?
The print features a sophisticated matte, glare-free finish. Unprinted white areas reveal the brushed silver metallic effect, providing a unique depth to the Achrome composition.
How long will this archival print last?
RedKalion utilizes museum-quality inks and UV-resistant aluminum substrates, ensuring your reproduction remains vibrant and structurally sound for decades in indoor environments.
How is the artwork packaged for shipping?
We use heavy-duty, secure packaging specifically designed for large-format art to ensure your Piero Manzoni masterpiece arrives in pristine, gallery condition.
What does 'Achrome' signify in Manzoni's work?
'Achrome' literally means 'without color.' Manzoni intended to strip the canvas of emotional expression and narrative, focusing entirely on the raw materiality of the surface.
Why is the 1961 Achrome historically significant?
The 1961 iteration represents the height of Manzoni's conceptual evolution, where he utilized various materials to redefine the relationship between the viewer, the artist, and the object.
