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At RedKalion, you can find virtually any artwork from any artist, available in a wide range of sizes to perfectly match your space.
If you didn’t find what you’re looking for, contact us at support@redkalion.com . We will source any artwork and produce it in any size and format you need, including art prints, posters, canvas, framed pieces, framed canvas, and more.
For dedicated art enthusiasts, we also offer handcrafted replicas of any artwork, carefully painted by highly skilled artists using traditional techniques.
For custom requests, contact us at support@redkalion.com .
What makes the brushed aluminum finish unique for this Bice Lazzari print?
Our Aluminum DIBOND® features a brushed silver finish with a horizontal grain. This creates a dynamic metallic effect in white areas and a sophisticated matte texture elsewhere, enhancing the minimalist lines of Lazzari's work.
Is the hanging hardware included with the 70x100 cm print?
Yes, every RedKalion aluminum print arrives with a specialized hanging kit included. The specific hardware varies slightly based on the fulfillment country to ensure the most secure and aesthetic mounting for your space.
How does the archival quality of this print compare to traditional paper?
This 3mm Aluminum DIBOND® print is exceptionally durable and rigid. Unlike paper, it is resistant to warping and UV-induced fading, ensuring your Bice Lazzari reproduction maintains its museum-quality appearance for a lifetime.
What is the shipping protocol for such a large-format artwork?
We use premium protective packaging tailored for 70x100 cm dimensions. Each piece is securely crated to prevent any bending or surface scratches during transit, arriving ready for immediate display.
Can this aluminum print be cleaned easily?
Yes, the matte finish on the AluDibond is highly resilient. You can gently wipe the surface with a soft, dry microfiber cloth to remove dust without risking damage to the ink or the metallic substrate.
What was Bice Lazzari's artistic focus during the creation of Acrilico K in 1979?
In 1979, Lazzari focused on "painting as sign." Moving away from oil, she used acrylics to create rhythmic, minimalist compositions that explored the purity of line and the architectural potential of the canvas.
Is this specific work representative of the Italian 'Informel' movement?
While Lazzari was influenced by the Informel movement earlier in her career, Acrilico K represents her move toward a more lyrical, rational abstraction, focusing on structural harmony rather than raw gestural emotion.
