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If you didn’t find what you’re looking for, contact us at support@redkalion.com . We will source any artwork and produce it in any size and format you need, including art prints, posters, canvas, framed pieces, framed canvas, and more.
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What makes the 12-color printing technology superior?
Our 12-color fine art printing uses a wider color gamut than standard 4-color printers. This results in smoother gradients, more accurate color matching, and greater depth, ensuring your Mario Schifano postcards reflect the original painting's complexity.
Is the paper used for these Mario Schifano postcards eco-friendly?
Yes. These postcards are printed on FSC-certified paper, ensuring that the materials are sourced from responsibly managed forests. RedKalion prioritizes sustainability alongside museum-quality production standards.
What are the physical dimensions of the Albero Per Terra postcards?
Each postcard in this pack of 10 is A6 size, measuring 10.5 x 14.8 cm or approximately 4.1 x 5.8 inches. They are perfectly sized for standard A6 envelopes or small art frames.
How do I care for these archival-grade fine art prints?
To ensure longevity, keep the postcards away from direct sunlight and high humidity. The 200 gsm matte paper is durable, but archival-safe storage or framing with UV-protective glass will preserve the 12-color vibrancy for decades.
Are these postcards suitable for framing?
Absolutely. Due to the high-quality 200 gsm paper and 12-color printing, these postcards function as mini fine art prints. They look exceptional when matted and framed as a set of ten.
Who was Mario Schifano and what is the significance of Albero Per Terra?
Mario Schifano was a pioneer of Italian Post-Modernism. Albero Per Terra (1984) represents his later period, where he moved from Pop Art toward emotive, gestural landscapes that explored the relationship between nature and human perception.
Why did Schifano shift toward nature themes in the 1980s?
In the 1980s, Schifano transitioned from media-centric Pop Art to the "Nature, Nature, Nature" series. He sought to recapture the tactile reality of the natural world through rapid, instinctive brushwork and rich, saturated pigments.
