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At RedKalion, you can find virtually any artwork from any artist, available in a wide range of sizes to perfectly match your space.
If you didn’t find what you’re looking for, contact us at support@redkalion.com . We will source any artwork and produce it in any size and format you need, including art prints, posters, canvas, framed pieces, framed canvas, and more.
For dedicated art enthusiasts, we also offer handcrafted replicas of any artwork, carefully painted by highly skilled artists using traditional techniques.
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What material is used for the Gene Davis Alice Tully Hall Sampler print?
The artwork is printed on 3mm (0.12") brushed silver Aluminum DIBOND®, featuring a horizontal grain and a metallic finish that adds depth and modern texture to the design.
How does the metallic finish affect the visual appearance?
Our direct print process leaves white areas unprinted, allowing the natural brushed silver aluminum to show through. This creates a striking metallic effect and a sophisticated matte, glare-free surface.
Is the hanging hardware included with this aluminum print?
Yes, a hanging kit is included with every Gene Davis aluminum print. The specific type of kit may vary depending on the fulfillment country to ensure the most secure installation.
What are the archival properties of this museum-quality reproduction?
RedKalion utilizes archival-grade Aluminum DIBOND® and lightfast inks, ensuring that your fine art print is resistant to fading, moisture, and warping for decades of display.
How is the print protected during shipping?
We use premium, high-density protective packaging specifically designed for large-format metal prints to ensure your Alice Tully Hall Sampler arrives in flawless gallery condition.
What is the significance of the Alice Tully Hall Sampler in Gene Davis's career?
Created in 1961, this work is a quintessential example of Davis's 'stripe paintings,' which explored complex color intervals and helped define the Washington Color School movement.
Why is Gene Davis considered a leader of the Washington Color School?
Gene Davis was instrumental in moving abstraction toward hard-edge, repetitive patterns, focusing on the psychological impact of color and rhythm rather than gestural brushwork.
