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Alma Woodsey Thomas - SPRINGTIME IN WASHINGTON 1971 75x100 cm / 30x40inches Fine Art Poster
Alma Woodsey Thomas - SPRINGTIME IN WASHINGTON 1971 75x100 cm / 30x40inches Fine Art Poster
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Discover our Fine Art Posters - Iconic artworks with vivid colors using using our fine art 12-color printing technology. Perfect for art lovers and designers alike.
- Color Vibrancy: Our 12-color fine art printing technology delivers vivid, accurate colors with stunning depth, far beyond standard 4-color inkjet printing technology.
- Paper Finishing: Smooth matte finish for a clean, glare-free display.
- Paper Weight: 200 gsm (80 lb), thickness: 0.26 mm (10.3 mils).
- Available Sizes: Offered in a variety of sizes to fit any space or frame.
- Eco-Friendly Materials: Printed on environmentally conscious, FSC-certified paper.
No minimum orders, printed and shipped on demand to guarantee freshness and customization for every order.
Discover a radiant masterpiece that brings the vibrant spirit of spring directly into your living space with this exquisite Fine Art Poster featuring Alma Woodsey Thomas's iconic "Springtime in Washington 1971". Measuring an impressive 75x100 cm, or approximately 30x40 inches, this museum-quality art print offers an unparalleled opportunity to own a piece of significant art history, transforming any room into a gallery of abstract beauty and joyful color. Alma Woodsey Thomas, a pivotal figure in American abstraction, especially within the Washington Color School, painted "Springtime in Washington 1971" as a celebration of renewal, nature, and the sheer delight of color. Born in Columbus, Georgia, in 1891, Thomas became the first graduate of Howard University’s fine arts department and dedicated decades to teaching art in Washington D.C. public schools before gaining widespread recognition for her own distinctive abstract paintings in her late 70s. Her work is characterized by bold, broken brushstrokes of pure color, arranged in rhythmic patterns that evoke natural phenomena—from celestial bodies to the blossoming trees of her beloved Washington D.C. "Springtime in Washington 1971" is a prime example of Thomas's mature style, a period when her artistic vision fully bloomed, mirroring the very subject she depicted. The painting is an explosion of color and movement. The canvas is dominated by an array of individual, short, and distinct brushstrokes, predominantly in shades of pink, crimson, fuchsia, and rose, interspersed with vibrant greens, sunny yellows, and hints of lavender and blue. These daubs of color are arranged in concentric, almost mosaic-like patterns, creating a dynamic visual texture that pulsates with life. The overall effect is one of effervescent energy, a visual symphony that captures the fleeting beauty and exhilaration of spring. The genius of "Springtime in Washington 1971" lies in its ability to abstract the essence of its subject without being literal. One can almost feel the gentle breeze rustling through the cherry blossoms, see the sunlight dappling through the petals, and hear the buzzing of spring life. The painting is a poetic interpretation of the famous cherry trees that bloom along the Tidal Basin in Washington D.C. each year, an event that transforms the city into a temporary wonderland of pink and white. Thomas’s brushstrokes, like individual petals dancing in the wind, convey this sense of organic growth and natural abundance. The composition draws the viewer's eye inward, creating a powerful sense of depth and movement, suggesting a continuous, swirling dance of color and light. It's an artwork that encourages prolonged contemplation, revealing new nuances with every glance. This iconic piece embodies the artist’s philosophy: "Through color, I have sought to concentrate on beauty and happiness, rather than on man's inhumanity to man." This fine art poster is more than just a reproduction; it is a meticulously crafted print designed to honor the original's integrity. Printed on high-quality, durable art paper with archival inks, it captures the brilliant hues and subtle textural qualities of Thomas's brushwork with remarkable fidelity. The large 30x40-inch dimensions ensure that the artwork makes a significant statement, becoming a focal point in any room. Whether you are seeking striking living room art, inspiring office decor, or a vibrant piece for a bedroom, this Alma Woodsey Thomas print offers a sophisticated and joyful addition. Its abstract nature makes it versatile, complementing a wide range of interior design styles, from modern minimalist to eclectic bohemian. Investing in this Alma Woodsey Thomas "Springtime in Washington 1971" fine art poster means bringing a piece of profound artistic legacy into your home. It’s an opportunity to celebrate one of America’s most significant abstract painters, an African American woman whose persistent dedication to her art broke barriers and continues to inspire. Her work is increasingly recognized for its innovative use of color and form, making this poster a culturally rich and aesthetically pleasing choice for anyone seeking impactful wall art. Perfect for art collectors, design enthusiasts, or anyone looking to infuse their space with color and positive energy, this large format poster is an exceptional choice. Imagine the cheer and vibrancy it will bring to your walls, sparking conversation and uplifting spirits daily. It serves as a constant reminder of the beauty of nature, the power of color, and the enduring spirit of artistic expression. Elevate your home decor with this timeless masterpiece, a vibrant tribute to spring, color, and Alma Woodsey Thomas's extraordinary vision. This museum-quality poster is not merely decoration; it's an experience, a window into a world of abstract wonder and natural joy, ready to enrich your environment and inspire all who behold it. Secure your own piece of this famous abstract art and let the spirit of "Springtime in Washington 1971" blossom in your space.
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