RedKalion
ALTARPIECE NO 2 1915 - Hilma af Klint Acrylic Print - 70x100 cm / 28x40″ inches
ALTARPIECE NO 2 1915 - Hilma af Klint Acrylic Print - 70x100 cm / 28x40″ inches
Couldn't load pickup availability
A Metaphysical Masterpiece: Hilma af Klint’s Altarpiece No. 2
In 1915, Swedish visionary Hilma af Klint reached the culmination of her secret magnum opus, the Paintings for the Temple, with the creation of Altarpiece No. 2. This profound work of abstract spiritualism precedes the widely recognized origins of abstraction, positioning af Klint as a primary architect of modern art. The piece features a central golden sun, symbolizing the divine source, and a pyramid structure that represents the soul's ascent toward spiritual enlightenment.
At RedKalion, we honor this esoteric legacy by presenting a museum-quality reproduction that preserves the vibrancy and intensity of af Klint's original vision. This fine art acrylic print utilizes 4mm (0.15") thick premium acrylic, providing a depth and luminosity that traditional paper cannot replicate. The sleek, straight-cut corners and professional finish transform this 70x100 cm (28x40") masterpiece into a contemporary focal point for any sophisticated interior.
Archival Quality Meets Modern Sophistication
This is not merely a reproduction; it is a curated archival piece designed to endure. Our acrylic prints are resistant to the elements and naturally UV-protected, ensuring the celestial golds and deep blues of Altarpiece No. 2 remain as striking as the day they were painted in 1915. Each piece comes with a integrated hanging kit, including hardware and screws, allowing for a seamless installation 14mm from the edge.
- Material: 4mm (0.15") high-grade acrylic for a vibrant, glass-like finish.
- Clarity: High-definition printing for museum-quality detail and color accuracy.
- Durability: Shatter-resistant and easy to clean, maintaining its luster over decades.
- Installation: Includes 4 pre-drilled corner holes and a premium screw hanging kit.
Discover Unlimited Art Possibilities
At RedKalion, you can find virtually any artwork from any artist, available in a wide range of sizes to perfectly match your space.
If you didn’t find what you’re looking for, contact us at support@redkalion.com . We will source any artwork and produce it in any size and format you need, including art prints, posters, canvas, framed pieces, framed canvas, and more.
For dedicated art enthusiasts, we also offer handcrafted replicas of any artwork, carefully painted by highly skilled artists using traditional techniques.
For custom requests, contact us at support@redkalion.com .
What is the significance of Hilma af Klint’s Altarpiece No. 2?
Altarpiece No. 2 is part of a trilogy that concludes the 'Paintings for the Temple' series. It represents the spiritual evolution of humanity and the union between the earthly and the divine through abstract geometry.
How is the acrylic print constructed?
The print is crafted from 4mm (0.15") high-quality acrylic with straight-cut corners. Transparent areas default to a white backing to ensure the colors of af Klint’s work are vivid and opaque.
Is the hanging hardware included with this print?
Yes, each Altarpiece No. 2 print includes a specialized hanging kit with screws. The acrylic has pre-drilled 8mm holes in each corner for easy and secure mounting.
How does the archival quality ensure longevity?
Acrylic is naturally UV-resistant and moisture-proof. Unlike paper, this medium prevents fading and warping, ensuring your museum-quality reproduction remains vibrant for a lifetime.
What is the shipping and handling timeframe?
RedKalion ensures premium packaging for all fine art prints. Orders are typically processed within 3-5 business days, with transit times varying based on your global location.
What are the 'Paintings for the Temple'?
This was a collection of 193 paintings created between 1906 and 1915, which af Klint claimed were directed by spiritual guides to be housed in a circular temple.
Why is Hilma af Klint considered a pioneer of abstraction?
Af Klint began creating radically abstract paintings in 1906, several years before Wassily Kandinsky or Piet Mondrian, though she requested her work remain hidden until 20 years after her death.