• AND HE DISCERNS AN ARID KNOLL COVERED PLAIN PLATE 7 1896 - Odilon Redon 70x100 cm / 28x40 inches Framed Art Print – Black Wooden Frame
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RedKalion

AND HE DISCERNS AN ARID KNOLL COVERED PLAIN PLATE 7 1896 - Odilon Redon 70x100 cm / 28x40 inches Framed Art Print – Black Wooden Frame

AND HE DISCERNS AN ARID KNOLL COVERED PLAIN PLATE 7 1896 - Odilon Redon 70x100 cm / 28x40 inches Framed Art Print – Black Wooden Frame

$449.99 USD
$999.99 USD $449.99 USD
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Step Into the Dreamlike Vision of Odilon Redon

Immerse your space in the hauntingly beautiful world of French Symbolist master Odilon Redon with this museum-quality reproduction of "And he discerns an arid knoll covered plain," Plate 7 from his seminal 1896 portfolio, The Temptation of Saint Anthony. This evocative 70x100 cm framed art print captures the depth and mystery of Redon’s “noirs”—the charcoal and lithographic works that defined his exploration of the subconscious and the spiritual realm.

A Masterpiece of Symbolist Intensity

Redon was a pioneer of the subconscious, preferring the “logic of the visible at the service of the invisible." In this specific plate, the desolate landscape serves as a psychological mirror for the isolation and visions of Saint Anthony. At RedKalion, we honor this vision by utilizing advanced giclée printing techniques on 250 gsm (110 lb) natural white museum-quality paper. The archival, matte finish ensures that the velvet-rich blacks and subtle gradients characteristic of Redon's lithography are preserved without distracting reflections.

Exquisite Framing and Archival Craftsmanship

To complement the profound depth of this 28x40 inch piece, each print is housed in a responsibly sourced black wooden frame made from premium oak and ash. With a robust 20mm (0.79") profile, our frames offer a more substantial, gallery-standard presence than typical retail alternatives. Each piece arrives ready-to-hang with a professional kit included, protected by shatterproof plexiglass to ensure your investment remains pristine for generations.

  • Paper: FSC-certified, 250 gsm archival-grade natural white paper.
  • Frame: 20mm wide black oak/ash wood, ethically sourced.
  • Durability: Shatterproof plexiglass and archival inks for lifelong vibrancy.
  • Ready to Hang: Pre-installed hanging kit for effortless installation.

Elevate your interior with a piece that transcends mere decoration. This RedKalion reproduction is an enduring testament to the power of 19th-century Symbolism, offering a sophisticated focal point for the discerning collector.

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What is the archival quality of the paper used for this Redon print?

We use 250 gsm (110 lb) archival museum-quality paper. It is natural white, matte, and uncoated, designed to prevent yellowing and ensure the print remains vibrant and structurally sound for decades.

How is the artwork framed and protected?

The print is mounted in a 20mm thick black frame made from responsibly sourced oak and ash. It is protected by shatterproof, transparent plexiglass, ensuring safety and clarity in any environment.

Does the framed print arrive ready to hang?

Yes, your Odilon Redon artwork arrives fully assembled in its frame with a professional hanging kit included, allowing you to display your new masterpiece immediately upon delivery.

Is the materials used in this print sustainable?

Absolutely. We prioritize the environment by using FSC-certified wood for our frames and paper (or equivalent local certifications), supporting responsible forestry practices worldwide.

How are large-scale prints shipped to prevent damage?

Each 70x100 cm print is meticulously packaged with protective corners and robust layering to ensure it arrives in perfect condition, backed by our commitment to museum-standard logistics.

What is the historical significance of "The Temptation of Saint Anthony" series?

Created in 1896, this series is a cornerstone of Symbolist art. Redon used Gustave Flaubert's prose as inspiration to visualize internal psychological states and spiritual hallucinations through his signature lithographic style.

Why did Odilon Redon focus on "noirs" or black and white works?

Redon believed that black was the most essential color for the imagination. His "noirs" allowed him to explore shadows, dreams, and the unconscious without the distractions of a full color palette.