• AND HE DISCERNS AN ARID KNOLL COVERED PLAIN PLATE 7 1896 - Odilon Redon 70x100 cm / 28x40 inches Framed Art Print – Black Wooden Frame
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RedKalion

AND HE DISCERNS AN ARID KNOLL COVERED PLAIN PLATE 7 1896 - Odilon Redon 70x100 cm / 28x40 inches Framed Art Print – Black Wooden Frame

AND HE DISCERNS AN ARID KNOLL COVERED PLAIN PLATE 7 1896 - Odilon Redon 70x100 cm / 28x40 inches Framed Art Print – Black Wooden Frame

$449.99 USD
$999.99 USD $449.99 USD
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An Ethereal Vision: Odilon Redon's Plate 7 from 'La Tentation de Saint-Antoine'

Step into the profound, dreamlike world of French Symbolist master Odilon Redon with this exquisite 70x100 cm museum-quality reproduction of 'And he discerns an arid knoll covered plain' (Plate 7, 1896). As part of Redon's third series illustrating Gustave Flaubert's literary masterpiece, this work captures the haunting, spiritual isolation and visionary intensity that defined the artist's legendary 'noirs' period.

Masterful Symbolist Execution

Redon was a pioneer of the subconscious, using the lithographic medium to explore 'the logic of the visible at the service of the invisible.' In this specific plate, the stark, arid landscape serves as a psychological mirror for the protagonist's internal struggle. Our reproduction meticulously preserves the velvety blacks and nuanced gradients of the original 1896 lithograph, ensuring that the atmospheric depth and mystery intended by Redon are fully realized in your space.

Archival Materials and Sophisticated Presentation

At RedKalion, we treat every fine art print as a future heirloom. This piece is rendered on 250 gsm (110 lb) natural white, archival-grade paper. The matte, uncoated finish eliminates glare, allowing the complex shadows of the arid knoll to remain legible from any angle. The 0.29 mm thickness ensures a premium, heavy-weight feel that exceeds standard gallery offerings.

  • Frame Craftsmanship: Encased in a premium black wooden frame crafted from sustainably sourced oak and ash.
  • Substantial Profile: A 20mm (0.79") thick and wide frame provides a bold, modern presence compared to thinner alternatives.
  • Museum Protection: Shatterproof, transparent plexiglass protects the archival surface from UV rays and environmental damage.
  • Ready to Exhibit: Arrives with a professional hanging kit included, allowing you to elevate your interior instantly.

By choosing this RedKalion edition, you are acquiring more than a decorative piece; you are investing in a sustainably produced, FSC-certified reproduction that honors the historical significance of the Symbolist movement while meeting the highest contemporary standards for interior design.

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What makes this Odilon Redon print a museum-quality reproduction?

We use ultra-high-resolution captures of the original 1896 lithograph and print on 250 gsm archival paper with specialized inks to replicate the deep, velvety blacks characteristic of Redon's visionary 'noirs'.

Is the black wooden frame sustainably sourced?

Yes, our frames are crafted from responsibly sourced oak and ash, carrying FSC certification or equivalent standards to ensure environmental sustainability and long-lasting structural integrity.

What are the specific paper specifications for this print?

This print uses 250 gsm (110 lb) natural white, archival museum-quality paper. It is uncoated and matte, with a thickness of 0.29 mm (11.4 mils) for a premium fine art feel.

How is the artwork protected during shipping?

Each framed art print is securely packaged with reinforced corners and shatterproof plexiglass to ensure it arrives in pristine condition. A hanging kit is included for immediate installation.

Will the colors in this Redon print fade over time?

No, our use of archival-grade, acid-free paper and high-quality pigments ensures that the monochromatic depths of Redon's work will remain vibrant and resist yellowing for decades.

What is the literary inspiration behind Plate 7 of 'La Tentation de Saint-Antoine'?

The artwork is inspired by Gustave Flaubert's poem, illustrating the spiritual trials and hallucinatory visions of Saint Anthony as he retreats into the desert to face temptation.

Why did Redon choose lithography for his 'noirs' series?

Lithography allowed Redon to achieve rich, smoky textures and deep shadows that charcoal alone could not reproduce, perfectly capturing the eerie, subconscious atmosphere of the Symbolist movement.