RedKalion
Arman - Paintbrushes Violin - II - 1980 75x100 cm / 30x40inches Fine Art Poster
Arman - Paintbrushes Violin - II - 1980 75x100 cm / 30x40inches Fine Art Poster
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The Intersection of Sound and Vision: Arman’s Paintbrushes Violin - II
Step into the avant-garde world of Arman (Armand Fernandez), a central figure of the Nouveau Réalisme movement, with this museum-quality reproduction of Paintbrushes Violin - II (1980). This piece captures the artist's signature technique of deconstruction and "accumulation," where the physical forms of a violin and artist’s brushes merge into a singular, rhythmic composition. Arman’s work challenges the traditional boundaries between sculpture and painting, transforming everyday objects into timeless symbols of creative energy.
This fine art print allows you to bring a piece of late 20th-century history into your home. The 1980 original reflects Arman's mastery of the "Colère" (anger) and "Coupe" (cut) techniques, where he sliced musical instruments to reveal their inner geometry. In this iteration, the inclusion of paintbrushes suggests a meta-commentary on the act of creation itself—the tools of the painter blending with the soul of the musician.
At RedKalion, we honor Arman’s legacy by utilizing the Master's Edition archival paper. This 250 gsm (110 lb) natural white, matte-finished paper ensures that the subtle textures and bold lines of the original work are preserved with stunning clarity. Our commitment to quality means this piece is not just a poster, but a museum-quality reproduction designed to endure for generations without yellowing or fading.
- Artist: Arman (1928–2005)
- Title: Paintbrushes Violin - II (1980)
- Paper: 250 gsm archival-grade, acid-free (pH above 7)
- Finish: Premium matte, uncoated natural white for a luxurious texture
- Sustainability: FSC-certified paper, printed and shipped on demand
Discover Unlimited Art Possibilities
At RedKalion, you can find virtually any artwork from any artist, available in a wide range of sizes to perfectly match your space.
If you didn’t find what you’re looking for, contact us at support@redkalion.com . We will source any artwork and produce it in any size and format you need, including art prints, posters, canvas, framed pieces, framed canvas, and more.
For dedicated art enthusiasts, we also offer handcrafted replicas of any artwork, carefully painted by highly skilled artists using traditional techniques.
For custom requests, contact us at support@redkalion.com .
What kind of paper is used for this Arman print?
We use Master's Edition archival paper, weighing 250 gsm (110 lb). This heavy-duty, museum-quality substrate provides a luxurious feel and superior durability for your fine art poster.
Will the colors of Paintbrushes Violin - II fade over time?
No. Our prints are made on acid-free paper (pH above 7), which prevents yellowing. The archival-grade materials ensure the vibrant details of Arman's work remain pristine for decades.
What is the finish of the museum-quality reproduction?
The print features a sophisticated matte, uncoated finish. This natural white (off-white) surface eliminates glare, allowing the complex textures of Arman’s deconstructed violin and paintbrushes to be viewed beautifully in any lighting.
How is the artwork shipped and fulfilled?
RedKalion utilizes a print-on-demand model with no minimum orders. Each Arman print is carefully packaged and shipped using robust materials to ensure it arrives at your door in gallery condition.
Is the paper used for this fine art print eco-friendly?
Yes. We exclusively use FSC-certified paper, ensuring that your museum-quality reproduction meets rigorous environmental and social standards for responsible forestry.
What is the significance of the violin in Arman's 1980 work?
The violin was a central motif for Arman, representing both classical beauty and mechanical structure. By deconstructing it alongside paintbrushes, he explored the tension between destruction and creation.
What movement does Arman's Paintbrushes Violin - II belong to?
Arman was a founding member of Nouveau Réalisme. This movement focused on the "poetic recycling" of reality, as seen in his iconic accumulations and sliced instrument series.