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At RedKalion, you can find virtually any artwork from any artist, available in a wide range of sizes to perfectly match your space.
If you didn’t find what you’re looking for, contact us at support@redkalion.com . We will source any artwork and produce it in any size and format you need, including art prints, posters, canvas, framed pieces, framed canvas, and more.
For dedicated art enthusiasts, we also offer handcrafted replicas of any artwork, carefully painted by highly skilled artists using traditional techniques.
For custom requests, contact us at support@redkalion.com .
What defines the print quality of this Escher reproduction?
We use 250 gsm museum-quality, archival paper with a matte finishing. This ensures a glare-free viewing experience and long-term durability, preserving the intricate details of the ATRANI COAST OF AMALFI 1 print for decades.
What are the framing specifications for this piece?
The print is housed in a 20mm (0.79") thick and wide black frame made from responsibly sourced oak or ash. This premium profile provides superior structural integrity and a gallery-standard aesthetic compared to thinner frames.
Is the artwork ready to hang upon delivery?
Yes, your M.C. Escher framed art print includes a pre-installed hanging kit. It is designed to be ready-to-hang immediately, allowing you to elevate your space without needing extra hardware.
How do you ensure the longevity and protection of the print?
We protect each print with shatterproof, transparent plexiglass and use acid-free, natural white paper. These archival-grade materials prevent yellowing and physical damage, ensuring your investment remains an enduring centerpiece.
What is the shipping and protection process for large prints?
Our 70x100 cm prints are securely packaged with protective edges and robust materials. The use of shatterproof plexiglass instead of standard glass ensures the artwork arrives in perfect condition without risk of breakage.
What was M.C. Escher’s inspiration for the Atrani series?
During the 1920s and 30s, Escher was captivated by the structural rhythm of Italian hill towns. Atrani provided the perfect subject for his study of interlocking architecture and dramatic coastal perspectives.
Does this print represent Escher’s early style?
Yes, this piece belongs to Escher's Italian period (1931). While it precedes his "impossible" constructions, it showcases the mastery of light, shadow, and architectural layering that defined his later mathematical works.
