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At RedKalion, you can find virtually any artwork from any artist, available in a wide range of sizes to perfectly match your space.
If you didn’t find what you’re looking for, contact us at support@redkalion.com . We will source any artwork and produce it in any size and format you need, including art prints, posters, canvas, framed pieces, framed canvas, and more.
For dedicated art enthusiasts, we also offer handcrafted replicas of any artwork, carefully painted by highly skilled artists using traditional techniques.
For custom requests, contact us at support@redkalion.com .
What are the material characteristics of this Sigmar Polke print?
The print is crafted on 3mm brushed silver Aluminum DIBOND®. It features a horizontal grain that provides a metallic sheen in unprinted areas, creating a dynamic, industrial-chic aesthetic that is both lightweight and exceptionally rigid.
Does the Audatia 1986 aluminum print arrive ready to hang?
Yes, every RedKalion aluminum print includes a professional hanging kit. The specific hardware varies by fulfillment country to ensure the most secure and aesthetically pleasing installation for your specific region.
How does the brushed silver finish affect the visual appearance?
The brushed finish adds a unique texture where the metal grain is visible. It creates a matte, glare-free surface, which is particularly effective for contemporary works, ensuring the art remains visible from all angles without light interference.
What is the archival longevity of an AluDibond print from RedKalion?
Our AluDibond prints use archival-grade inks and a highly stable composite core. This ensures that the artwork is resistant to UV damage, moisture, and temperature fluctuations, maintaining museum-quality clarity for decades.
How is the artwork shipped to ensure protection?
We use specialized, high-durability packaging designed specifically for large-format art. Each Sigmar Polke print is securely fastened and cushioned to prevent bending or surface scratches during its journey to your gallery or home.
What was Sigmar Polke’s primary intent with the creation of Audatia?
Polke intended to explore the intersection of historical imagery and experimental materiality. 'Audatia' (Latin for boldness) reflects his daring approach to 'alchemical' art-making, using layers to challenge the viewer's singular interpretation of history and truth.
How does the 1986 era influence Polke’s choice of subject matter in this piece?
During the mid-1980s, Polke was deeply invested in 'The Age of Enlightenment' and its contradictions. This piece reflects that era's fascination with layering historical motifs with contemporary, often toxic or unconventional pigments to critique modern society.
