• Aus violettem kern - 1967 - Max Bill Brushed Aluminum Print - 70x100 cm / 28x40 inches | Max Bill Aluminum Print | Max Bill Prints
  • Aus violettem kern - 1967 - Max Bill Brushed Aluminum Print - 70x100 cm / 28x40 inches | Max Bill Aluminum Print | Max Bill Prints
  • Aus violettem kern - 1967 - Max Bill Brushed Aluminum Print - 70x100 cm / 28x40 inches | Max Bill Aluminum Print | Max Bill Prints
  • Aus violettem kern - 1967 - Max Bill Brushed Aluminum Print - 70x100 cm / 28x40 inches | Max Bill Aluminum Print | Max Bill Prints
  • Aus violettem kern - 1967 - Max Bill Brushed Aluminum Print - 70x100 cm / 28x40 inches | Max Bill Aluminum Print | Max Bill Prints
  • Aus violettem kern - 1967 - Max Bill Brushed Aluminum Print - 70x100 cm / 28x40 inches | Max Bill Aluminum Print | Max Bill Prints
  • Aus violettem kern - 1967 - Max Bill Brushed Aluminum Print - 70x100 cm / 28x40 inches | Max Bill Aluminum Print | Max Bill Prints
  • Aus violettem kern - 1967 - Max Bill Brushed Aluminum Print - 70x100 cm / 28x40 inches | Max Bill Aluminum Print | Max Bill Prints
  • Aus violettem kern - 1967 - Max Bill Brushed Aluminum Print - 70x100 cm / 28x40 inches | Max Bill Aluminum Print | Max Bill Prints
  • Aus violettem kern - 1967 - Max Bill Brushed Aluminum Print - 70x100 cm / 28x40 inches | Max Bill Aluminum Print | Max Bill Prints
  • Aus violettem kern - 1967 - Max Bill Brushed Aluminum Print - 70x100 cm / 28x40 inches | Max Bill Aluminum Print | Max Bill Prints
1 11

RedKalion

Aus violettem kern - 1967 - Max Bill Brushed Aluminum Print - 70x100 cm / 28x40 inches | Max Bill Aluminum Print | Max Bill Prints

Aus violettem kern - 1967 - Max Bill Brushed Aluminum Print - 70x100 cm / 28x40 inches | Max Bill Aluminum Print | Max Bill Prints

$399.99 USD
$899.99 USD $399.99 USD
Sale Sold out

The Mathematical Elegance of Max Bill’s "Aus violettem kern" (1967)

Experience the pinnacle of Concrete Art with this museum-quality reproduction of Max Bill’s "Aus violettem kern" (1967). As a polymath—architect, painter, and sculptor—Bill utilized mathematical formulas to achieve aesthetic harmony. This piece, translating to "From a Violet Core," explores the progression of color and geometric precision, hallmarks of the Zürich School of Concreteists. RedKalion preserves this legacy through a contemporary medium that mirrors the artist's own fascination with industrial materials and structural logic.

A Modern Masterpiece on Brushed Aluminum DIBOND®

This Max Bill aluminum print is not merely a reproduction; it is a sophisticated structural element for your interior. Utilizing 3mm (0.12") brushed silver Aluminum DIBOND®, the print features a horizontal grain that adds a dynamic, metallic depth to Bill's geometric arrangement. The matte finish ensures a glare-free viewing experience, allowing the subtle shifts in violet and structure to take center stage. For areas of the composition that are white, the unprinted aluminum surface reveals a striking silver metallic effect, enhancing the archival presence of this fine art print.

Museum-Grade Specifications

  • Material: Premium Brushed silver Aluminum DIBOND® for a rigid, durable base.
  • Visual Depth: Direct print technology provides vivid color saturation and a sophisticated matte finish.
  • Metallic Grain: A unique horizontal brushed texture that interacts beautifully with ambient light.
  • Longevity: Archival-grade materials ensure the 1967 color palette remains vibrant for decades.
  • Ready to Display: A professional hanging kit is included, tailored to your specific fulfillment region.

Elevate your space with a Max Bill print that honors the precision of the Bauhaus tradition. This archival masterpiece from RedKalion offers a seamless blend of 20th-century Swiss design and 21st-century printing excellence.

View full details

Discover Unlimited Art Possibilities

At RedKalion, you can find virtually any artwork from any artist, available in a wide range of sizes to perfectly match your space.

If you didn’t find what you’re looking for, contact us at support@redkalion.com . We will source any artwork and produce it in any size and format you need, including art prints, posters, canvas, framed pieces, framed canvas, and more.

For dedicated art enthusiasts, we also offer handcrafted replicas of any artwork, carefully painted by highly skilled artists using traditional techniques.

For custom requests, contact us at support@redkalion.com .

What makes the "Aus violettem kern" print unique?

This print captures Max Bill's 1967 exploration of mathematical color theory. Its unique character comes from the brushed aluminum substrate, which adds a contemporary, industrial texture to the geometric Concrete Art style.

How does the brushed aluminum finish affect the appearance?

The 3mm Aluminum DIBOND® features a horizontal grain. In white or light areas, the metallic silver surface shines through, creating a dynamic, light-catching effect that traditional paper prints cannot replicate.

Is the hanging hardware included with the print?

Yes, every Max Bill aluminum print arrives with a specialized hanging kit. The specific hardware varies depending on the fulfillment country to ensure the safest and most aesthetic mounting possible.

How durable is this aluminum print for long-term display?

Our AluDibond prints are exceptionally durable and rigid. The direct-print method and archival-grade inks provide a matte, glare-free finish that is resistant to fading, ensuring a museum-quality appearance for years.

What is the estimated shipping and fulfillment process?

RedKalion partners with global fulfillment centers to ensure secure packaging and rapid delivery. Each print is custom-made to order, typically shipping within a few business days with full tracking provided.

What was Max Bill's philosophy behind "Concrete Art"?

Max Bill defined Concrete Art as works created through autonomous mathematical logic rather than abstraction from nature. He aimed to make invisible principles visible through precise color and geometric relationships.

Why is the year 1967 significant for this Max Bill piece?

In 1967, Max Bill was refining his "vortex" and "core" themes, exploring how color radiates from a central point. This era represents his mastery of balancing rigid structure with emotional color resonance.