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At RedKalion, you can find virtually any artwork from any artist, available in a wide range of sizes to perfectly match your space.
If you didn’t find what you’re looking for, contact us at support@redkalion.com . We will source any artwork and produce it in any size and format you need, including art prints, posters, canvas, framed pieces, framed canvas, and more.
For dedicated art enthusiasts, we also offer handcrafted replicas of any artwork, carefully painted by highly skilled artists using traditional techniques.
For custom requests, contact us at support@redkalion.com .
What defines the quality of this Lygia Pape fine art print?
RedKalion utilizes museum-quality Brushed Aluminum DIBOND® at 3mm thickness. This archival substrate provides a rigid, modern base that ensures the reproduction is as durable as it is visually striking.
What is the significance of Ballet Neoconcreto # 1 in art history?
Created in 1958, this work marked the birth of Neo-Concretism. It replaced traditional ballet with moving geometric shapes, emphasizing the phenomenological relationship between the object, space, and the viewer.
How does the brushed aluminum finish affect the artwork’s appearance?
The horizontal grain of the silver aluminum adds a dynamic metallic effect. In Lygia Pape's designs, any unprinted white areas reveal the raw metal, creating a shimmering, high-tech aesthetic.
Is the hanging hardware included with my purchase?
Yes, every Lygia Pape aluminum print from RedKalion includes a professional hanging kit. The specific kit varies slightly depending on the fulfillment country to ensure local compatibility.
How does RedKalion ensure the archival longevity of the print?
We use direct UV-stabilized printing on AluDibond, resulting in a glare-free, matte finish that resists fading and environmental degradation, maintaining museum-standard quality for years.
Who was Lygia Pape and why is she important?
Lygia Pape was a pioneer of Brazilian abstraction. Her work across film, sculpture, and performance challenged artistic boundaries, making her a cornerstone of 20th-century Latin American art history.
Can you describe the Neo-Concrete movement?
Emerging in 1959, the Neo-Concrete movement rejected the purely mathematical approach of Concrete art, favoring a more poetic, sensory-driven experience that integrated the viewer into the artwork.
