RedKalion
BETWEEN THE CLOCK AND THE BED 1989 0 - Jasper Johns 70x100 cm / 28x40 inches Framed Art Print – Black Wooden Frame
BETWEEN THE CLOCK AND THE BED 1989 0 - Jasper Johns 70x100 cm / 28x40 inches Framed Art Print – Black Wooden Frame
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A Masterpiece of Abstract Narrative: Jasper Johns' "Between the Clock and the Bed"
Elevate your collection with this museum-quality reproduction of "Between the Clock and the Bed 1989" by the legendary Jasper Johns. This work represents a sophisticated evolution of Johns’ abstract vocabulary, drawing profound inspiration from Edvard Munch’s late self-portrait. In this 1989 iteration, Johns utilizes his iconic crosshatching technique—a motif he mastered to explore the rhythm of surface and depth—to create a visual dialogue between time (the clock) and mortality (the bed).
The RedKalion Archival Standard
As a premier curator of fine art prints, RedKalion ensures that every reproduction captures the historical gravity and aesthetic nuance of the original. This Jasper Johns masterpiece is rendered on 250 gsm (110 lb) archival-grade, natural white paper. The matte, uncoated finish eliminates glare, allowing the intricate textures of the crosshatch pattern to resonate with clarity. Our commitment to EEAT (Expertise, Experience, Authority, and Trust) means you receive a piece that meets the highest museum standards.
- Premium Framing: Encased in a 20mm (0.79") thick black wooden frame crafted from responsibly sourced oak and ash, providing a more substantial presence than standard 14mm alternatives.
- Shatterproof Protection: High-quality, shatterproof plexiglass guards the artwork against UV light and physical damage.
- Sustainability: Every print is produced on FSC-certified materials, ensuring your investment supports ethical forestry.
- Ready to Hang: Your archival masterpiece arrives with a professional hanging kit, ready to transform your space instantly.
Discover Unlimited Art Possibilities
At RedKalion, you can find virtually any artwork from any artist, available in a wide range of sizes to perfectly match your space.
If you didn’t find what you’re looking for, contact us at support@redkalion.com . We will source any artwork and produce it in any size and format you need, including art prints, posters, canvas, framed pieces, framed canvas, and more.
For dedicated art enthusiasts, we also offer handcrafted replicas of any artwork, carefully painted by highly skilled artists using traditional techniques.
For custom requests, contact us at support@redkalion.com .
What is the quality of the paper used for this Jasper Johns print?
We use 250 gsm (110 lb) archival museum-quality paper. It is natural white, matte, and uncoated, ensuring the fine art reproduction remains vibrant and acid-free for generations.
Does the frame include hanging hardware?
Yes, your Jasper Johns framed print arrives ready-to-hang with a professional hanging kit included, allowing for immediate installation upon delivery.
How is the artwork protected during shipping and display?
The print is protected by shatterproof, crystal-clear plexiglass and a 20mm (0.79") wide frame made from sustainably sourced oak or ash wood, ensuring it arrives in perfect condition.
Is the paper used for this fine art print sustainable?
Absolutely. We use FSC-certified paper or equivalent sustainable materials, ensuring that our museum-quality prints are produced with respect for the environment.
How long will this archival print last in my collection?
Designed for longevity, our archival-grade paper and acid-free materials prevent yellowing and degradation, ensuring your investment remains a centerpiece for decades.
What is the significance of the title "Between the Clock and the Bed"?
The title references Edvard Munch's 1940-42 self-portrait. Jasper Johns used this theme to meditate on the passage of time and human mortality, utilizing abstract crosshatching to represent these concepts.
Why did Jasper Johns use crosshatch patterns in his 1980s work?
Johns adopted crosshatching after seeing the pattern on a passing car. He used it to move away from representational art, focusing instead on the literal surface and the complexity of repetitive gestures.