• BETWEEN THE CLOCK AND THE BED 1989 - Jasper Johns 70x100 cm / 28x40 inches Framed Art Print – Black Wooden Frame
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RedKalion

BETWEEN THE CLOCK AND THE BED 1989 - Jasper Johns 70x100 cm / 28x40 inches Framed Art Print – Black Wooden Frame

BETWEEN THE CLOCK AND THE BED 1989 - Jasper Johns 70x100 cm / 28x40 inches Framed Art Print – Black Wooden Frame

$449.99 USD
$999.99 USD $449.99 USD
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Between the Clock and the Bed (1989): A Masterpiece of Abstract Meditation

Experience the profound complexity of Jasper Johns’ Between the Clock and the Bed (1989), a seminal work that bridges the gap between mid-century modernism and contemporary abstraction. This museum-quality reproduction captures the intricate cross-hatch patterns that became synonymous with Johns’ later career, reflecting a deeply intellectual dialogue with Edvard Munch’s self-portrait of the same name. The 1989 iteration of this motif is a masterful study in rhythm, color, and the passage of time.

As an elite curator of fine art, RedKalion presents this work as an archival-grade fine art print, meticulously produced to preserve the subtle shifts in tone and texture characteristic of Johns’ encaustic-inspired style. This isn't merely a print; it is a sophisticated tribute to one of the most influential artists of the 20th century, designed to bring a sense of historical gravity and contemporary elegance to your collection.

The RedKalion Archival Standard

  • Museum-Quality Paper: Printed on 250 gsm (110 lb) natural white, archival museum-quality paper with a matte, uncoated finish for an authentic fine-art feel.
  • Premium Framing: Encased in a 20mm (0.79") thick black frame crafted from responsibly sourced oak and ash wood, offering a more substantial profile than standard gallery frames.
  • Lasting Protection: Each piece is shielded by shatterproof plexiglass, ensuring the artwork remains protected against dust and UV damage while maintaining clarity.
  • Sustainable Excellence: We utilize FSC-certified materials, aligning luxury with environmental responsibility.
  • Ready to Elevate: Your framed art print arrives ready-to-hang with an included hanging kit, allowing for immediate placement in your interior space.

By choosing this Jasper Johns reproduction, you are investing in a piece that endures. The combination of high-density pigment and acid-free paper ensures that the vibrant depth of the 1989 composition remains as striking decades from now as it is today. Elevate your environment with an archival masterpiece that honors the legacy of American abstraction.

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What materials are used for the Between the Clock and the Bed print?

We use 250 gsm (110 lb) natural white, archival museum-quality paper. This matte, uncoated paper is chosen for its thickness (0.29 mm) and its ability to represent Jasper Johns’ complex textures with exceptional fidelity.

How is the Jasper Johns reproduction framed?

The print is housed in a 20mm thick black frame made from responsibly sourced ash and oak wood. This professional-grade frame is wider than standard options, providing a modern, gallery-standard aesthetic for your wall.

Is the artwork protected from damage and fading?

Yes, each print is protected by shatterproof, transparent plexiglass. This provides a durable barrier against dust and physical damage, while our archival-grade inks and FSC-certified paper prevent yellowing over time.

Does the framed print arrive ready to hang?

Absolutely. Every order includes a specialized hanging kit. The artwork is pre-assembled in its black wooden frame, allowing you to display this Jasper Johns masterpiece immediately upon delivery.

How does RedKalion ensure the sustainability of its prints?

We prioritize environmental health by using FSC-certified materials or local equivalents. This ensures that the wood for our frames and the paper for our prints are sourced from responsibly managed forests.

What is the significance of the title Between the Clock and the Bed?

Johns took the title from Edvard Munch’s late self-portrait. The "clock" represents the passage of time and the "bed" represents mortality, with Johns using his signature hatching to explore these existential themes through abstraction.

What characterizes Jasper Johns’ technique in this 1989 work?

This period of Johns' work is defined by the "hatch" motif—parallel lines in varying clusters. In the 1989 version, he uses these marks to create a sense of depth and rhythmic movement without traditional perspective.