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At RedKalion, you can find virtually any artwork from any artist, available in a wide range of sizes to perfectly match your space.
If you didn’t find what you’re looking for, contact us at support@redkalion.com . We will source any artwork and produce it in any size and format you need, including art prints, posters, canvas, framed pieces, framed canvas, and more.
For dedicated art enthusiasts, we also offer handcrafted replicas of any artwork, carefully painted by highly skilled artists using traditional techniques.
For custom requests, contact us at support@redkalion.com .
What makes the brushed aluminum finish unique for this Hantaï print?
The 3mm Aluminum DIBOND® features a horizontal grain that creates a dynamic, metallic silver effect in the unprinted areas. This enhances Hantaï’s 'reserve' spaces with a sophisticated, modern shimmer.
Is the surface of the 'Blancs' print reflective?
No, the direct-to-plate printing process ensures a refined matte finish. It is glare-free, allowing the intricate textures of the 1973 masterpiece to be viewed clearly from any angle without light interference.
How do I install my Simon Hantaï aluminum print?
Each RedKalion print arrives with a pre-selected hanging kit suitable for your region. The lightweight yet rigid 0.12" DIBOND® structure ensures an easy, secure, and professional gallery-style installation.
What is the archival life of an aluminum DIBOND® print?
These museum-quality reproductions are designed for extreme durability. The UV-resistant inks and rigid aluminum base prevent warping and fading, ensuring your Simon Hantaï print remains a centerpiece for decades.
How is the artwork protected during transit?
RedKalion uses premium, shock-resistant packaging tailored for large-format prints (70x100 cm). We guarantee safe global delivery, ensuring your archival-grade reproduction arrives in pristine condition.
What was Simon Hantaï’s 'pliage' technique used in 'Blancs'?
Hantaï folded the canvas before applying paint. Upon unfolding, the 'reserve' (unpainted white space) becomes an active compositional element, creating a rhythmic dialogue between the pigment and the void.
Why is the 1973 'Blancs' series significant in art history?
The 'Blancs' series represents a pinnacle of Hantaï’s career, where the white space is no longer just a background but an essential, structured force that challenges traditional concepts of figure and ground.
