RedKalion
Brice Marden - Untitled - 1969 75x100 cm / 30x40inches Fine Art Poster
Brice Marden - Untitled - 1969 75x100 cm / 30x40inches Fine Art Poster
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A Masterpiece of Minimalism: Brice Marden’s "Untitled" (1969)
Brice Marden’s 1969 Untitled represents a pivotal moment in the evolution of American abstraction. This museum-quality fine art print captures the profound restraint and tactile depth that defined Marden's early career. During this period, Marden was celebrated for his unique method of mixing oil paint with beeswax (encaustic), a technique that imparted a matte, skin-like surface to his monochromatic panels. Our reproduction meticulously honors this legacy, offering a sophisticated, architectural presence for the discerning collector.
As part of the RedKalion collection, this print is produced to the most exacting archival standards. We utilize Master's Edition archival paper, the premier choice for those who demand longevity and visual fidelity. This heavy-weight, 250 gsm (110 lb) paper provides a luxurious, natural white (off-white) finish that eliminates glare while highlighting the subtle tonal shifts characteristic of Marden's intellectual rigor.
- Archival Longevity: Acid-free (pH above 7) to ensure your investment remains pristine without yellowing or degradation over time.
- Premium Texture: A matte, uncoated finish that invites the eye into the depth of the composition, mirroring the physical presence of the original work.
- Expert Material: Thickness of 0.29 mm (11.4 mils) provides a robust, gallery-grade feel.
- Sustainable Excellence: Printed on FSC-certified paper, ensuring an environmentally responsible addition to your space.
Elevate your interior with an archival masterpiece that endures—a testament to Marden's mastery of form and RedKalion's commitment to world-class curation.
Discover Unlimited Art Possibilities
At RedKalion, you can find virtually any artwork from any artist, available in a wide range of sizes to perfectly match your space.
If you didn’t find what you’re looking for, contact us at support@redkalion.com . We will source any artwork and produce it in any size and format you need, including art prints, posters, canvas, framed pieces, framed canvas, and more.
For dedicated art enthusiasts, we also offer handcrafted replicas of any artwork, carefully painted by highly skilled artists using traditional techniques.
For custom requests, contact us at support@redkalion.com .
What is the quality of the paper used for this Brice Marden print?
We use Master's Edition archival paper, which is museum-quality and FSC-certified. At 250 gsm (110 lb), it provides a premium, heavy-weight feel that ensures the artwork remains flat and impressive for years to come.
How does the matte finish affect the appearance of "Untitled" (1969)?
The matte, uncoated finish provides a luxurious, glare-free surface. This highlights the subtle color variations of Marden's work and mimics the tactile, non-reflective quality of the original oil and beeswax paintings.
Will this fine art poster yellow or fade over time?
No. Our prints are made on acid-free paper with a pH above 7. This archival-grade material prevents yellowing and preserves the integrity of the pigments for decades of display.
How is my order shipped and fulfilled?
Each order is printed on demand to ensure museum-grade quality. We ship globally with no minimum orders, using protective packaging to ensure your fine art reproduction arrives in perfect condition.
Does this print include a frame?
This product is a fine art poster only, without a frame. This allows you the flexibility to choose a custom frame that perfectly matches your personal style and interior architecture.
What was Brice Marden's specific technique in the late 1960s?
Marden mixed oil paint with melted beeswax to create an encaustic-like surface. This gave his 1969 works a dense, opaque quality that felt more like a physical object than a flat painting.
Why is "Untitled" (1969) significant in art history?
It exemplifies Post-Minimalism, moving away from industrial perfection toward a more human, tactile abstraction. It captures the subtle tension between the painting's physical surface and its emotional resonance.