RedKalion
Brou de noix 65 x 50 cm, 1948 - 1948 By Pierre Soulages Pack of 10 Post Cards | Pierre Soulages Post Cards | A6 (10.5 x 14.8 cm) - 4.1 x 5.8 inches
Brou de noix 65 x 50 cm, 1948 - 1948 By Pierre Soulages Pack of 10 Post Cards | Pierre Soulages Post Cards | A6 (10.5 x 14.8 cm) - 4.1 x 5.8 inches
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The Radical Modernism of Pierre Soulages: Brou de noix, 1948
Experience the profound intensity of Pierre Soulages with this exclusive pack of 10 museum-quality postcards. Created in 1948, Brou de noix 65 x 50 cm represents a pivotal moment in the career of the 'painter of black.' In this period, Soulages turned to walnut stain (brou de noix)—a medium typically reserved for woodcraft—to achieve earthy, translucent tones and architectural gestures that redefined European abstraction.
Each postcard is a faithful reproduction of the original's calligraphic power. Using 12-color fine art printing technology, RedKalion ensures that the subtle gradations of brown and the stark contrast against the background are preserved with stunning depth. Unlike standard commercial prints, our process captures the visceral texture and monumental presence of Soulages' early masterwork.
Premium Specifications for the Discerning Collector:
- Paper Quality: Sturdy 200 gsm (80 lb) paper with a thickness of 0.26 mm (10.3 mils) for a premium tactile feel.
- Finish: A smooth matte finishing that eliminates glare, allowing the deep walnut hues to resonate under any lighting.
- Archival Integrity: Printed on FSC-certified, environmentally conscious paper using archival-grade inks to prevent fading.
- Size: A6 format (10.5 x 14.8 cm), perfect for sophisticated correspondence or as a curated mini-gallery display.
Elevate your correspondence or your collection with these archival masterpieces. RedKalion is dedicated to curating world-class reproductions that honor the legacy of 20th-century icons like Soulages, ensuring each piece is a lasting tribute to artistic innovation.
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At RedKalion, you can find virtually any artwork from any artist, available in a wide range of sizes to perfectly match your space.
If you didn’t find what you’re looking for, contact us at support@redkalion.com . We will source any artwork and produce it in any size and format you need, including art prints, posters, canvas, framed pieces, framed canvas, and more.
For dedicated art enthusiasts, we also offer handcrafted replicas of any artwork, carefully painted by highly skilled artists using traditional techniques.
For custom requests, contact us at support@redkalion.com .
What makes the printing quality of these Soulages postcards unique?
We use advanced 12-color fine art printing technology. This allows for superior color vibrancy and accuracy, capturing the complex, earthy tonalities of Soulages' walnut stain far better than standard 4-color inkjet processes.
What are the specific dimensions and paper weight?
Each postcard is A6 size (10.5 x 14.8 cm / 4.1 x 5.8 inches). They are printed on premium 200 gsm (80 lb) FSC-certified paper with a thickness of 0.26 mm.
Are these postcards environmentally friendly?
Yes. RedKalion utilizes FSC-certified paper from sustainably managed forests. Additionally, our print-on-demand model reduces waste by ensuring we only produce what is ordered.
How long will these fine art prints last without fading?
Our museum-quality reproductions use archival inks and acid-free paper, ensuring long-term stability and resistance to fading when kept out of direct, harsh sunlight.
Is there a minimum order requirement for these postcards?
No. These postcards are printed on demand with no minimum order requirements, though they are sold here in a convenient pack of 10.
What is 'Brou de noix' in the context of Pierre Soulages' work?
'Brou de noix' refers to walnut stain. Soulages used this non-traditional medium in the late 1940s to create bold, translucent, and matte abstract gestures that differentiated his work from traditional oil painting.
Why is the year 1948 significant for this specific artwork?
1948 was a breakthrough year for Soulages. It marked the development of his signature style of heavy, dark strokes and his first major exhibitions in Paris, establishing him as a leader in post-war abstraction.