
What materials are used for the Cape Orange 1964 print?
We use archival museum-quality paper weighing 250 gsm (110 lb). It is a natural white, matte, and uncoated paper that ensures the longevity of the Helen Frankenthaler reproduction without yellowing over time.
What are the frame specifications for this artwork?
The print is housed in a 20mm (0.79") thick black wooden frame made from responsibly sourced oak and ash. This wider profile provides a more premium, gallery-style presence compared to standard thin frames.
Is the framing material sustainably sourced?
Yes, all wood used for our frames is FSC-certified or equivalent, ensuring that your Cape Orange fine art print supports responsible forest management and environmental sustainability.
How is the artwork protected during shipping?
We use shatterproof, transparent plexiglass to protect the print from damage. This material provides the clarity of glass with added durability, ensuring your framed art print arrives in perfect condition.
Does the framed print come ready to hang?
Absolutely. Your 70x100 cm framed print includes a pre-installed hanging kit. It is designed to be ready to hang directly on your wall the moment it arrives at your door.
What was Helen Frankenthaler's 'soak-stain' technique?
Frankenthaler pioneered the soak-stain technique by thinning oil or acrylic paint with turpentine to a watery consistency. This allowed the pigment to soak directly into the raw canvas, creating the fused, luminous color fields seen in Cape Orange.
Why is Cape Orange significant in 1960s art history?
Created in 1964, Cape Orange represents Frankenthaler’s mastery of Color Field painting. It demonstrates her move away from aggressive brushwork toward a more meditative, fluid exploration of how color interacts with space and emotion.