
Discover Unlimited Art Possibilities
At RedKalion, you can find virtually any artwork from any artist, available in a wide range of sizes to perfectly match your space.
If you didn’t find what you’re looking for, contact us at support@redkalion.com . We will source any artwork and produce it in any size and format you need, including art prints, posters, canvas, framed pieces, framed canvas, and more.
For dedicated art enthusiasts, we also offer handcrafted replicas of any artwork, carefully painted by highly skilled artists using traditional techniques.
For custom requests, contact us at support@redkalion.com .
What are the specific paper and print quality details?
This Rene Magritte print uses 250 gsm (110 lb) natural white museum-quality paper. The archival matte finish ensures a glare-free viewing experience while maintaining a thickness of 0.29 mm for a premium, durable feel.
How does the frame compare to standard gallery frames?
Our frames are made from responsibly sourced oak and ash, measuring 20mm (0.79") thick. This is significantly wider than the industry-standard 14mm frame, offering a more robust and sophisticated presence on your wall.
Is the artwork protected from environmental damage?
Yes, each print is protected by high-quality, shatterproof plexiglass. This ensures the 1964 artwork remains safe from dust and physical impact while providing the crystal-clear visibility required for fine art displays.
Is this product ready for immediate display?
Absolutely. Every framed art print from RedKalion includes a professional hanging kit. Your 70x100 cm Chorus of the Sphinx print arrives fully assembled and ready to hang directly on your wall.
Are the materials used in this print sustainable?
RedKalion is committed to environmental responsibility. We use FSC-certified paper and wood or equivalent sustainable materials, ensuring that your art collection supports ethical forestry and archival longevity.
What is the significance of the sphinx imagery in Magritte’s 1964 work?
In Chorus of the Sphinx, Magritte uses the shape of a leaf to evoke the Egyptian sphinx. This juxtaposition of nature and ancient mystery is a hallmark of late Surrealism, exploring the concept of the hidden within the visible.
Where does this piece fit into René Magritte’s career?
Painted in 1964, this piece represents Magritte's mature period. It reflects his lifelong fascination with the 'poetry of the image,' using scale and context to transform mundane objects into philosophical inquiries.
