RedKalion
Daniel Buren - Cercle noir sur fond blanc - 1967 75x100 cm / 30x40inches Fine Art Poster
Daniel Buren - Cercle noir sur fond blanc - 1967 75x100 cm / 30x40inches Fine Art Poster
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Daniel Buren - Cercle noir sur fond blanc - 1967 - Museum-Quality Fine Art Print
Immerse yourself in the conceptual rigor of Daniel Buren with this museum-quality fine art print of his seminal 1967 work, Cercle noir sur fond blanc. This iconic piece exemplifies Buren's early exploration of visual language and the fundamental elements of art, stripping away subjective expression to focus on pure form. Presented as a high-fidelity reproduction, this print captures the stark simplicity and powerful presence of the original.
Daniel Buren, a pioneer of conceptual art, is renowned for his systematic approach, often employing striped canvases. In Cercle noir sur fond blanc, he distills his visual vocabulary to a singular, striking motif: a precise black circle against a neutral ground. This work challenges traditional notions of painting, inviting viewers to consider the structure, context, and inherent qualities of the artwork itself. Owning this print is an opportunity to engage with a pivotal moment in minimalist and conceptual art history.
Our fine art prints are meticulously produced on Master's Edition archival paper, a luxurious, uncoated, natural white stock chosen for its superior texture and weight. This museum-quality paper boasts a substantial 250 gsm (110 lb) weight and a thickness of 0.29 mm (11.4 mils), ensuring a tactile, gallery-worthy feel. The matte finish provides a sophisticated, non-reflective surface, allowing the crisp lines of Buren's work to command attention without distraction. Crucially, our paper is acid-free (pH above 7), guaranteeing that your investment remains vibrant and free from yellowing for generations, a testament to its archival longevity. We are committed to environmental responsibility, utilizing only FSC-certified paper, ensuring sustainable sourcing.
Elevate your space with an archival masterpiece that endures. This Daniel Buren print is not merely a decoration but a thoughtful addition to any collection, celebrating the power of conceptual art.
- Artwork: Cercle noir sur fond blanc
- Artist: Daniel Buren
- Year: 1967
- Print Type: Museum-Quality Fine Art Print
- Paper: Master's Edition Archival Paper, 250 gsm, Natural White, Matte Uncoated
- Features: Acid-free, FSC-certified
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If you didn’t find what you’re looking for, contact us at support@redkalion.com . We will source any artwork and produce it in any size and format you need, including art prints, posters, canvas, framed pieces, framed canvas, and more.
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What is the subject of Daniel Buren's 'Cercle noir sur fond blanc'?
This artwork features a stark, precise black circle set against a plain white background, embodying Daniel Buren's early conceptual explorations of pure form and visual language.
What makes this a museum-quality fine art print?
Our prints use Master's Edition archival paper, offering a substantial 250 gsm weight and acid-free properties for lasting vibrancy, akin to museum standards.
What is the paper quality and finish of this print?
The print is on museum-quality, uncoated, natural white archival paper with a matte finish, weighing 250 gsm and measuring 0.29 mm thick.
Is this print archival and fade-resistant?
Yes, the paper is acid-free (pH above 7), preventing yellowing and ensuring the longevity and archival quality of this fine art reproduction.
How is this print sourced and produced?
This print is produced on demand using FSC-certified, sustainable paper, reflecting our commitment to quality and environmental responsibility.
What was Daniel Buren's artistic context in 1967?
In 1967, Daniel Buren was a key figure in conceptual art, simplifying his visual vocabulary to focus on form, repetition, and the critique of artistic institutions.
What is the significance of the circle motif for Daniel Buren?
The circle, along with his signature stripes, became a fundamental element in Buren's work, allowing him to explore visual perception and the structure of art without subjective intervention.