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At RedKalion, you can find virtually any artwork from any artist, available in a wide range of sizes to perfectly match your space.
If you didn’t find what you’re looking for, contact us at support@redkalion.com . We will source any artwork and produce it in any size and format you need, including art prints, posters, canvas, framed pieces, framed canvas, and more.
For dedicated art enthusiasts, we also offer handcrafted replicas of any artwork, carefully painted by highly skilled artists using traditional techniques.
For custom requests, contact us at support@redkalion.com .
What is the artwork "TRADEMARK STUDY 3" by Edward Ruscha?
"TRADEMARK STUDY 3" is a 1962 artwork by Pop Art icon Edward Ruscha, exploring the visual language of commercial branding and signage. This fine art print is a faithful reproduction.
What are the dimensions of this Edward Ruscha print?
This museum-quality fine art poster measures 75x100 cm, which is equivalent to 30x40 inches, offering a substantial presence for display.
What type of paper is used for this reproduction?
The print utilizes Master's Edition archival paper, a premium, uncoated, natural white stock with a matte finish, weighing 250 gsm (110 lb).
How long will this archival print last?
This fine art print is acid-free (pH above 7) and printed on museum-quality paper, ensuring it resists yellowing and fading for lasting enjoyment.
How is this Edward Ruscha print produced and shipped?
Each print is produced on demand, ensuring freshness and quality. We focus on sustainable practices, using FSC-certified paper.
What is the significance of Edward Ruscha's "TRADEMARK STUDY 3" within Pop Art?
This study is significant as an early example of Ruscha's conceptual approach, dissecting and re-presenting the ubiquitous symbols of American consumer culture and urban landscapes.
Can you describe the texture and finish of the paper?
The Master's Edition paper has a luxurious, natural white (off-white) hue and a matte, uncoated finish, providing a tactile and authentic museum-quality feel.
