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At RedKalion, you can find virtually any artwork from any artist, available in a wide range of sizes to perfectly match your space.
If you didn’t find what you’re looking for, contact us at support@redkalion.com . We will source any artwork and produce it in any size and format you need, including art prints, posters, canvas, framed pieces, framed canvas, and more.
For dedicated art enthusiasts, we also offer handcrafted replicas of any artwork, carefully painted by highly skilled artists using traditional techniques.
For custom requests, contact us at support@redkalion.com .
What are the dimensions of this Brice Marden framed art print?
This framed fine art print measures 70x100 cm (28x40 inches), including the 20mm thick black wooden frame, making it a striking statement piece for any wall.
What type of paper is used for this museum-quality reproduction?
We use 250 gsm (110 lb) matte, uncoated, natural white archival museum-quality paper, which is FSC-certified for sustainability and ideal for capturing Brice Marden's subtle textures.
Is this framed print ready to hang upon delivery?
Yes, this ready-to-hang art print includes a complete hanging kit, allowing you to display it directly on your wall without any additional setup.
How does the frame protect the Brice Marden print?
The print is protected by shatterproof plexiglass within a 20mm thick black wooden frame, ensuring durability and preserving the archival quality of this fine art reproduction.
Is this art print archival and long-lasting?
Yes, this archival museum-quality print uses sustainable FSC-certified paper and premium materials, designed to resist fading and maintain its integrity for generations.
What inspired Brice Marden's "Etchings to Rexroth 1" from 1986?
This work is part of Marden's series inspired by poet Kenneth Rexroth, blending abstract expressionism with calligraphic influences to explore emotional depth through minimalist lines and textures.
How does this piece reflect Brice Marden's artistic evolution?
Created in 1986, it marks Marden's shift toward more gestural, emotionally resonant mark-making, bridging Eastern philosophy with Western abstraction in his mature style.
