
Discover Unlimited Art Possibilities
At RedKalion, you can find virtually any artwork from any artist, available in a wide range of sizes to perfectly match your space.
If you didn’t find what you’re looking for, contact us at support@redkalion.com . We will source any artwork and produce it in any size and format you need, including art prints, posters, canvas, framed pieces, framed canvas, and more.
For dedicated art enthusiasts, we also offer handcrafted replicas of any artwork, carefully painted by highly skilled artists using traditional techniques.
For custom requests, contact us at support@redkalion.com .
What is the significance of FOUR LEAVES AND THREE PETALS 1939 by Alexander Calder?
This artwork represents Calder's exploration of biomorphic forms during his Surrealist phase, blending abstract shapes with organic inspiration to create a playful, dynamic composition that predates his famous mobiles.
What are the dimensions of this framed art print?
The print measures 70x100 cm / 28x40 inches, framed in a 20mm thick black wooden frame, making it a substantial piece ideal for prominent wall display.
What type of paper is used for this museum-quality reproduction?
It's printed on 250 gsm (110 lb) matte, uncoated, natural white archival museum-quality paper, ensuring longevity and vibrant color reproduction for fine art prints.
Is this framed print ready to hang?
Yes, it includes a hanging kit and is ready-to-hang directly on the wall, offering convenience for immediate display of your Alexander Calder art.
How does the frame protect the artwork?
The frame features shatterproof plexiglass to safeguard the print from damage, combined with responsibly sourced oak and ash wood for durability.
What makes this reproduction archival and sustainable?
It uses FSC-certified materials and archival-grade paper, ensuring eco-friendly production and long-term preservation of this Calder masterpiece.
Can you describe Calder's technique in this piece?
Calder employed flat, painted shapes with clean lines and balanced asymmetry, reflecting his transition from drawing to sculptural forms in the late 1930s.
