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At RedKalion, you can find virtually any artwork from any artist, available in a wide range of sizes to perfectly match your space.
If you didn’t find what you’re looking for, contact us at support@redkalion.com . We will source any artwork and produce it in any size and format you need, including art prints, posters, canvas, framed pieces, framed canvas, and more.
For dedicated art enthusiasts, we also offer handcrafted replicas of any artwork, carefully painted by highly skilled artists using traditional techniques.
For custom requests, contact us at support@redkalion.com .
What are the dimensions of this Juan Gris fine art print?
This museum-quality reproduction measures 75x100 cm (30x40 inches), perfect for creating a focal point in any room with its substantial Cubist presence.
What type of paper is used for this archival print?
It's printed on Master's Edition archival paper, featuring a matte, uncoated finish in natural white for a luxurious texture that enhances the Synthetic Cubism details.
Yes, it uses acid-free paper with a pH above 7, ensuring long-term preservation and resistance to discoloration for your Juan Gris artwork.
How is this fine art poster shipped and handled?
We print and ship on demand with no minimum orders, using careful packaging to protect the 250 gsm weight and FSC-certified paper during transit.
What makes this reproduction museum-quality?
It combines archival-grade materials, precise color matching, and a 0.29 mm thickness to replicate Gris's 1927 original with exceptional fidelity and durability.
What is Synthetic Cubism, and how does "The Goblet" exemplify it?
Synthetic Cubism, pioneered by Juan Gris in the 1910s-1920s, uses flattened, geometric shapes and a muted palette. "The Goblet" showcases this through its fragmented planes and intellectual composition, redefining everyday objects.
Why did Juan Gris focus on simple objects like goblets in his art?
Gris aimed to explore the essence of form and structure, using common items to demonstrate Cubist principles of abstraction and spatial innovation, as seen in this 1927 masterpiece.
