
Discover Unlimited Art Possibilities
At RedKalion, you can find virtually any artwork from any artist, available in a wide range of sizes to perfectly match your space.
If you didn’t find what you’re looking for, contact us at support@redkalion.com . We will source any artwork and produce it in any size and format you need, including art prints, posters, canvas, framed pieces, framed canvas, and more.
For dedicated art enthusiasts, we also offer handcrafted replicas of any artwork, carefully painted by highly skilled artists using traditional techniques.
For custom requests, contact us at support@redkalion.com .
What are the dimensions of this framed art print?
This framed print measures 70x100 cm / 28x40 inches, including the black wooden frame, making it a statement piece for any room.
What type of paper is used for this fine art print?
We use 250 gsm (110 lb) archival museum-quality paper with a matte, uncoated, natural white finish, ideal for Neo-Expressionist reproductions like Lavender Bay in the Rain.
Is this print ready to hang upon delivery?
Yes, it includes a hanging kit and is ready-to-hang directly on your wall, with a responsibly sourced oak and ash wood frame.
How does the frame protect the artwork?
The frame features shatterproof plexiglass and is 20mm (0.79") thick, wider than classic frames, ensuring durability and archival quality for your Brett Whiteley print.
Is the paper sustainable for this museum-quality reproduction?
Yes, we use FSC-certified materials or equivalent, making this a sustainable choice for fine art prints like Lavender Bay in the Rain.
What artistic movement does Lavender Bay in the Rain represent?
This artwork is a Neo-Expressionist piece by Brett Whiteley, characterized by bold colors and emotional intensity, capturing Sydney's harbor in rain.
Why is Brett Whiteley significant in Australian art history?
Brett Whiteley was a leading 20th-century Australian artist known for his expressive style and depictions of urban landscapes, making this print a valuable historical piece.
