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At RedKalion, you can find virtually any artwork from any artist, available in a wide range of sizes to perfectly match your space.
If you didn’t find what you’re looking for, contact us at support@redkalion.com . We will source any artwork and produce it in any size and format you need, including art prints, posters, canvas, framed pieces, framed canvas, and more.
For dedicated art enthusiasts, we also offer handcrafted replicas of any artwork, carefully painted by highly skilled artists using traditional techniques.
For custom requests, contact us at support@redkalion.com .
What is the artwork 'Light at Two Lights' by Edward Hopper?
It is a 1927 oil painting by American Realist Edward Hopper, depicting the Cape Elizabeth lighthouse in Maine. This museum-quality fine art print captures its iconic solitude and dramatic light.
What are the specifications of the paper used for this art print?
The print is on premium 250 gsm (110 lb), 0.29 mm thick archival museum paper with a matte, uncoated finish. This heavyweight paper ensures durability and an authentic fine art look.
What are the details of the black wooden frame included?
The frame is made from responsibly sourced oak and ash wood, measuring 20mm (0.79") thick and wide. It is wider than a standard 14mm frame for a more substantial, gallery-style presentation.
Is this framed print ready to hang?
Yes, this framed art print is ready-to-hang. It comes with a complete hanging kit, allowing for immediate display on your wall upon delivery.
How is the print protected within the frame?
The artwork is protected by shatterproof plexiglass, which safeguards the print from damage while maintaining excellent clarity for viewing.
What is the historical significance of Hopper's lighthouse paintings?
Hopper's lighthouse works, like 'Light at Two Lights,' are celebrated for transforming utilitarian structures into symbols of American solitude and resilience, using stark light and simplified forms.
Why is the matte, uncoated paper finish ideal for this reproduction?
The matte, uncoated finish on our archival paper reduces glare and provides a textured, authentic surface that closely mimics the feel of Hopper's original oil on canvas.
