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At RedKalion, you can find virtually any artwork from any artist, available in a wide range of sizes to perfectly match your space.
If you didn’t find what you’re looking for, contact us at support@redkalion.com . We will source any artwork and produce it in any size and format you need, including art prints, posters, canvas, framed pieces, framed canvas, and more.
For dedicated art enthusiasts, we also offer handcrafted replicas of any artwork, carefully painted by highly skilled artists using traditional techniques.
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What are the dimensions of the MIRROR 2005 framed art print?
The framed print measures 70x100 cm (28x40 inches), with a black wooden frame that is 20mm (0.79") thick and wide, offering a substantial presence for this kinetic art masterpiece.
What type of paper is used for this fine art reproduction?
We use 250 gsm (110 lb) matte, uncoated, natural white archival museum-quality paper, which is FSC-certified for sustainability and ideal for preserving Jesús Rafael Soto's intricate details.
Is this framed print ready to hang?
Yes, it includes a hanging kit and is ready to hang directly on your wall, making installation simple and immediate for your Op Art display.
How does the frame protect the artwork?
The frame features shatterproof plexiglass that safeguards the print from damage while maintaining clarity, ensuring your kinetic art piece remains pristine over time.
Is this a sustainable product?
Yes, the paper is FSC-certified or equivalent, and the frame is made from responsibly sourced oak and ash wood, aligning with RedKalion's commitment to eco-friendly fine art prints.
Who was Jesús Rafael Soto and why is MIRROR 2005 significant?
Jesús Rafael Soto was a Venezuelan pioneer of Kinetic Art, known for works that create optical movement. MIRROR 2005, from his later years, exemplifies his use of geometric patterns to challenge perception, making it a key piece in Op Art history.
What makes this reproduction museum-quality?
It uses archival-grade materials, including thick 250 gsm paper and precise color matching, to replicate Soto's original vision with the durability and fidelity expected in fine art galleries.
