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At RedKalion, you can find virtually any artwork from any artist, available in a wide range of sizes to perfectly match your space.
If you didn’t find what you’re looking for, contact us at support@redkalion.com . We will source any artwork and produce it in any size and format you need, including art prints, posters, canvas, framed pieces, framed canvas, and more.
For dedicated art enthusiasts, we also offer handcrafted replicas of any artwork, carefully painted by highly skilled artists using traditional techniques.
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What are the dimensions of this framed Juan Gris print?
This framed art print measures 70x100 cm (28x40 inches), including the black wooden frame, making it an ideal statement piece for living rooms, offices, or galleries.
What type of paper is used for this fine art reproduction?
We use 250 gsm (110 lb) archival museum-quality paper with a matte, uncoated finish and natural white color, ensuring vibrant, fade-resistant prints that meet professional standards.
Is this framed print ready to hang?
Yes, this ready-to-hang framed art print includes a hanging kit, allowing for immediate display directly on your wall without additional assembly.
How durable is the framing and protection?
The frame is made from responsibly sourced oak and ash wood, 20mm thick, with shatterproof plexiglass to protect the print from damage and UV light for long-term preservation.
What makes this reproduction archival quality?
It uses FSC-certified sustainable paper and archival inks, designed to resist fading and deterioration, ensuring your Juan Gris print lasts for generations as a museum-quality reproduction.
What is the historical significance of "Newspaper, Glass and Pear"?
Created in 1917, this work showcases Juan Gris's Synthetic Cubism, where he deconstructed everyday objects into geometric forms, influencing modern art with its intellectual depth and compositional harmony.
How does Juan Gris's technique differ in this piece?
Gris employed collage-like layering and muted palettes to blend textures and shapes, emphasizing the flat picture plane while maintaining a sense of balance, typical of his late Cubist period.
