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Untitled - 1971 N9 - Theodoros Stamos 70x100 cm / 28x40 inches Framed Art Print – Black Wooden Frame
Untitled - 1971 N9 - Theodoros Stamos 70x100 cm / 28x40 inches Framed Art Print – Black Wooden Frame
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Untitled - 1971 N9 by Theodoros Stamos: A Museum-Quality Framed Art Print
Elevate your space with Untitled - 1971 N9, a profound abstract expressionist masterpiece by the renowned artist Theodoros Stamos. This fine art print captures the raw, emotive power of Stamos's late-career work, where organic forms and earthy tones evoke a sense of primordial energy and meditative depth. As a key figure in the New York School, Stamos's art bridges myth and modernity, making this piece a timeless addition to any sophisticated interior.
RedKalion presents this museum-quality reproduction on premium archival paper, ensuring every subtle texture and hue is preserved with exceptional fidelity. The print measures 70x100 cm (28x40 inches) and is elegantly framed in a black wooden frame crafted from responsibly sourced oak and ash wood. The frame features a substantial 20mm (0.79") thickness, providing a bold, gallery-worthy presence that enhances the artwork's impact.
- Frame Details: 20mm thick black wooden frame, wider than classic 14mm frames, made from sustainable oak and ash wood.
- Paper Specifications: 250 gsm (110 lb) matte, uncoated, natural white archival paper with a thickness of 0.29 mm (11.4 mils), ideal for fine art reproductions.
- Protection: Shatterproof plexiglass safeguards the print against damage while maintaining clarity.
- Sustainability: Printed on FSC-certified or equivalent sustainable materials, reflecting our commitment to environmental responsibility.
- Convenience: Includes a hanging kit, ready to hang directly on your wall for immediate display.
This framed art print by Theodoros Stamos is not just a decoration but an archival masterpiece that endures, offering a slice of art history to enrich your home or office. Trust RedKalion for expertly curated, high-fidelity reproductions that honor the artist's original vision.
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At RedKalion, you can find virtually any artwork from any artist, available in a wide range of sizes to perfectly match your space.
If you didn’t find what you’re looking for, contact us at support@redkalion.com . We will source any artwork and produce it in any size and format you need, including art prints, posters, canvas, framed pieces, framed canvas, and more.
For dedicated art enthusiasts, we also offer handcrafted replicas of any artwork, carefully painted by highly skilled artists using traditional techniques.
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What are the dimensions of this Theodoros Stamos framed art print?
The print measures 70x100 cm (28x40 inches) and is framed in a black wooden frame, making it a substantial piece ideal for prominent wall spaces.
What materials are used in the frame and paper for this fine art print?
The frame is made from responsibly sourced oak and ash wood, 20mm thick, with shatterproof plexiglass. The paper is 250 gsm matte archival museum-quality paper, FSC-certified for sustainability.
Is this Untitled - 1971 N9 print ready to hang upon delivery?
Yes, it includes a hanging kit and is ready to hang directly on your wall, ensuring easy and immediate display of your museum-quality reproduction.
How does the archival paper ensure longevity for this Theodoros Stamos artwork?
The 250 gsm matte, uncoated paper is acid-free and archival-grade, designed to resist fading and deterioration, preserving the fine art print for generations.
What is the significance of Theodoros Stamos's Untitled - 1971 N9 in art history?
Created in 1971, this work reflects Stamos's abstract expressionist style, blending organic forms with spiritual themes, marking his contribution to the New York School's evolution.
How does the frame thickness enhance this framed art print?
The 20mm frame is wider than classic 14mm frames, providing a bold, gallery-worthy edge that complements the artwork's scale and adds a premium touch to your space.
What techniques did Theodoros Stamos use in his abstract expressionist works?
Stamos often employed layered, gestural brushstrokes and earthy palettes to evoke natural elements and metaphysical concepts, as seen in this untitled piece from 1971.