
What makes the paper quality of this Zao Wou-Ki print unique?
We use 250 gsm (110 lb) natural white, archival-grade paper. This heavy-weight, matte, uncoated paper is the industry standard for fine art, ensuring the print remains vibrant and resists yellowing over time.
What are the specific dimensions and material of the frame?
The print is housed in a 20mm thick black frame made from solid, responsibly sourced oak and ash wood. It is wider than standard frames to provide a premium, gallery-style aesthetic.
Is the artwork ready to hang upon arrival?
Yes. Every RedKalion framed print comes with a pre-installed hanging kit. You can display your new Zao Wou-Ki masterpiece directly on your wall the moment it arrives.
How is the print protected during shipping and display?
We use shatterproof plexiglass to protect the artwork. This provides the clarity of glass with added durability, ensuring your museum-quality reproduction arrives safely and remains protected from dust and UV light.
Are the materials used for this print environmentally friendly?
Absolutely. RedKalion is committed to sustainability. We use FSC-certified paper and responsibly sourced wood frames, ensuring your art collection supports ethical forest management.
What is the historical significance of the title 15 11 2001?
Zao Wou-Ki frequently titled his works after their completion date. This practice reflects the Abstract Expressionist tradition of avoiding literal descriptions, allowing the viewer to engage purely with the emotion and movement of the colors.
How does this piece represent Zao Wou-Ki’s artistic style?
This work is a hallmark of Lyrical Abstraction. It blends the structural influence of Paul Klee with traditional Chinese calligraphy, creating a sense of infinite space and "inner landscapes" that defined Zao’s later career.
