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RedKalion

ABSTRACT IN WHITE BLACK INDIAN AND LILAC 1957 - Victor Pasmore Acrylic Print - 70x100 cm / 28x40″ inches

ABSTRACT IN WHITE BLACK INDIAN AND LILAC 1957 - Victor Pasmore Acrylic Print - 70x100 cm / 28x40″ inches

Preço normal $399.99 USD
Preço normal $899.99 USD Preço de saldo $399.99 USD
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Victor Pasmore: A Masterpiece of British Constructivism

In 1957, Victor Pasmore was at the vanguard of the British Constructivist movement, a pivotal era where he abandoned representational art for the profound clarity of abstraction. Abstract in White, Black, Indian and Lilac (1957) is a seminal work that explores the delicate equilibrium between space and form. This museum-quality reproduction brings Pasmore’s rhythmic geometry into the modern interior, offering a sophisticated interplay of color and void that resonates with mid-century elegance.

Precision Craftsmanship and Material Excellence

At RedKalion, we elevate fine art with contemporary materials. This 70x100 cm (28x40″) acrylic print is rendered on premium 4mm (0.15") acrylic, providing a depth and luminosity that traditional paper prints cannot achieve. The straight-cut corners offer a sleek, architectural finish, while the inherent properties of the acrylic enhance the vibrant tones of Indian red and delicate lilac against the stark contrast of black and white.

Designed for Longevity and Ease

To ensure your acquisition remains a focal point for decades, each piece is crafted with archival-grade materials. The print includes a professional hanging kit with pre-drilled holes at each corner (situated 14mm from the edge) and high-quality 15mm screw heads. This ensures a secure, floating presentation that complements the minimalist aesthetic of Pasmore’s work. Whether displayed in a private study or a corporate gallery, this piece serves as a testament to 20th-century innovation.

  • Material: 4mm (0.15") high-grade acrylic.
  • Finish: Glossy, vibrant, and depth-enhancing.
  • Hardware: Complete hanging kit with screws included.
  • Durability: Shatter-resistant and UV-protected for archival longevity.
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Discover Unlimited Art Possibilities

At RedKalion, you can find virtually any artwork from any artist, available in a wide range of sizes to perfectly match your space.

If you didn’t find what you’re looking for, contact us at support@redkalion.com . We will source any artwork and produce it in any size and format you need, including art prints, posters, canvas, framed pieces, framed canvas, and more.


For dedicated art enthusiasts, we also offer handcrafted replicas of any artwork, carefully painted by highly skilled artists using traditional techniques.

For custom requests, contact us at support@redkalion.com .

What are the physical dimensions and material specifications of this print?

This Victor Pasmore print measures 70x100 cm (28x40″) and is crafted from 4mm (0.15") thick acrylic. It features modern straight-cut corners and a white-backing finish for optimal color vibrancy and clarity.

How is the artwork prepared for mounting?

Each acrylic print comes with a comprehensive hanging kit, including screws and pre-drilled 8mm holes at each corner, positioned 14mm from the edge. This provides a secure and professional display solution.

Is the print protected against fading over time?

Yes, RedKalion uses archival-grade printing techniques and UV-resistant acrylic. This ensures the sophisticated Indian and Lilac hues remain vibrant and protected from environmental degradation for years to come.

How is the acrylic print shipped to ensure safety?

We utilize specialized, high-durability packaging designed for fine art. Each acrylic piece is securely encased to prevent scratches or impact damage during transit to your gallery or home.

What happens to transparent areas in the original design?

To ensure the highest visual impact and structural consistency, any transparent or translucent backgrounds in the artwork default to a crisp white, ensuring Pasmore's geometric forms are perfectly defined.

What was the significance of the year 1957 in Victor Pasmore’s career?

1957 marked a peak in Pasmore's transition to Constructivism. During this period, he focused on 'pure' abstraction, moving away from his earlier landscape work to explore spatial relationships and geometric harmony.

What does the color 'Indian' refer to in this composition?

In the context of 1950s art, 'Indian' typically refers to Indian Red—a pigment derived from natural iron oxides. It provides a grounding, earthy contrast to the ethereal lilac and stark black-and-white elements.