
What are the paper specifications for this Anni Albers print?
We use 250 gsm (110 lb) natural white, archival-grade paper with a matte, uncoated finish. This museum-quality material ensures high color fidelity and long-term durability for fine art collections.
How is the black wooden frame constructed?
The frame is made from sustainably sourced ash and oak wood, measuring 20mm (0.79") in both thickness and width. This provides a sturdier and more premium profile than standard 14mm frames.
Is the artwork protected against damage during shipping or display?
Yes, each print is protected by high-quality, shatterproof plexiglass and shipped in secure, protective packaging. The use of FSC-certified materials ensures environmental responsibility throughout the process.
Is this framed art print ready to hang immediately?
Absolutely. Every RedKalion framed print includes a pre-installed hanging kit, allowing you to display your Anni Albers masterpiece directly on your wall upon arrival.
What makes this print an "archival" reproduction?
Our archival prints utilize acid-free, 0.29 mm thick paper and specialized inks designed to resist fading for decades, ensuring your investment retains its aesthetic value and historical clarity.
What is the significance of the year 1964 in Anni Albers' career?
By 1964, Albers had shifted her focus from weaving to printmaking. This piece represents her mastery of translating textile logic—interlocking shapes and directional movement—into a bold, two-dimensional graphic medium.
How does this piece reflect the Bauhaus philosophy?
BLACK WHITE RED 1964 embodies the Bauhaus ethos of functional beauty and geometric clarity. It emphasizes the structural relationship between color and form, stripping away the unnecessary to reveal pure visual harmony.