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At RedKalion, you can find virtually any artwork from any artist, available in a wide range of sizes to perfectly match your space.
If you didn’t find what you’re looking for, contact us at support@redkalion.com . We will source any artwork and produce it in any size and format you need, including art prints, posters, canvas, framed pieces, framed canvas, and more.
For dedicated art enthusiasts, we also offer handcrafted replicas of any artwork, carefully painted by highly skilled artists using traditional techniques.
For custom requests, contact us at support@redkalion.com .
What are the dimensions of this Sam Francis acrylic print?
This specific edition of Chinese Wall measures 70x100 cm (28x40 inches), providing a substantial presence for residential or corporate gallery spaces.
What mounting hardware is included with the acrylic artwork?
Each print includes a premium hanging kit: four 15mm screw-head standoffs and pre-drilled 8mm holes positioned 14mm from each corner for a secure, floating effect.
How is the Chinese Wall artwork finished on the acrylic?
The artwork is printed using archival inks on 4mm acrylic with straight-cut corners. Transparent backgrounds default to white to maintain the color accuracy of Francis’s palette.
How do you ensure the archival longevity of the print?
RedKalion uses UV-resistant inks and 4mm durable acrylic, protecting the artwork from fading and environmental moisture, ensuring museum-level preservation for decades.
What is the shipping protocol for museum-grade reproductions?
We utilize specialized protective packaging to ensure your acrylic print arrives in pristine condition, with fully insured global shipping and professional tracking provided.
What is the significance of the SF-87 designation in Sam Francis's work?
SF-87 refers to the specific catalog raisonné entry for this lithograph, marking it as a critical piece of Sam Francis’s late 20th-century exploration of color-field abstraction.
Why did Sam Francis use white space so prominently in Chinese Wall?
Influenced by Japanese aesthetics and Zen Buddhism, Francis viewed the 'void' not as emptiness, but as an active participant that allows his colors to breathe and resonate.
