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RedKalion

Claes Oldenburg - PASTRY CASE I 1962 75x100 cm / 30x40inches Fine Art Poster

Claes Oldenburg - PASTRY CASE I 1962 75x100 cm / 30x40inches Fine Art Poster

Preço normal $207.99 USD
Preço normal $311.00 USD Preço de saldo $207.99 USD
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Claes Oldenburg: Pastry Case I (1962) – A Pop Art Icon

Experience the tactile revolution of the 1960s with this premium Claes Oldenburg Pastry Case I 1962 fine art print. Originally created as part of Oldenburg's groundbreaking installation 'The Store' on Manhattan's Lower East Side, this work bridges the gap between high art and the commercial landscape of mid-century America. Our museum-quality reproduction captures the visceral, hand-sculpted energy of the original, inviting a sense of playful subversion into your collection.

The Legacy of 'The Store'

In 1961 and 1962, Claes Oldenburg redefined the gallery experience by selling plaster-soaked burlap sculptures of everyday items—dresses, hamburgers, and pastries—directly to the public. Pastry Case I is a seminal piece from this era, showcasing Oldenburg's mastery of the 'monumental ordinary.' By rendering these ephemeral objects in thick, expressive enamel, he challenged the austerity of Abstract Expressionism, paving the way for the Pop Art movement alongside Warhol and Lichtenstein.

Museum-Grade Materiality at RedKalion

At RedKalion, we believe a masterpiece deserves an equally exceptional canvas. This 75x100 cm (30x40 inches) print is rendered on Master's Edition archival paper. Our commitment to excellence ensures that every detail—from the subtle color shifts of the enamel to the rich texture of the subject—is preserved with breathtaking clarity. This is more than a poster; it is a durable, archival-grade artifact designed to elevate the modern interior.

  • Paper: 250 gsm (110 lb) natural white (off-white), matte finish for a luxurious, uncoated texture.
  • Longevity: Acid-free paper (pH above 7) specifically engineered to prevent yellowing and degradation over time.
  • Eco-Conscious: Produced on FSC-certified paper, supporting sustainable forestry practices.
  • Fulfillment: Expertly printed and shipped on demand with no minimum order requirements, ensuring a bespoke experience for every collector.

Elevate your space with an archival masterpiece that endures, curated by RedKalion for the discerning lover of fine art.

Ver detalhes completos
What paper quality is used for the Claes Oldenburg Pastry Case I print?

We use Master's Edition archival paper, weighing 250 gsm (110 lb). This museum-quality, natural white paper features a matte, uncoated finish, providing a sophisticated texture and depth for your Claes Oldenburg fine art print.

Is the paper used for this reproduction sustainable?

Yes. All RedKalion prints use FSC-certified paper. This ensures that your Claes Oldenburg Pastry Case I reproduction is produced using responsibly sourced materials that support global forest conservation.

How does the archival quality prevent aging?

Our paper is acid-free with a pH above 7. This chemical balance prevents the yellowing or degradation of the paper over time, ensuring your museum-quality reproduction maintains its vibrant color and integrity for decades.

What are the shipping and fulfillment details?

RedKalion offers on-demand printing with no minimum orders. Each Claes Oldenburg print is carefully handled and shipped in protective packaging to ensure it arrives at your door in pristine condition.

Does the print include a frame?

This product is a high-end 75x100 cm (30x40 inches) fine art poster and does not include a frame. This allows you to choose a custom framing solution that best fits your interior design aesthetic.

What is the historical significance of 'The Store'?

Claes Oldenburg’s 'The Store' (1961) was a revolutionary environment where he sold handmade sculptures of consumer goods. It challenged traditional art marketing and established the 'ordinary' object as a valid subject for fine art.

What artistic style does Pastry Case I represent?

Pastry Case I is a definitive example of early Pop Art. It utilizes a 'sloppy' aesthetic with enamel and plaster to mimic mass-produced items, critiquing consumerism while celebrating the tactile nature of sculpture.