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Untitled [Blue, Green, and Brown] - 1952 - Mark Rothko Brushed Aluminum Print - 70x100 cm / 28x40 inches | Mark Rothko Aluminum Print | Mark Rothko Prints

Untitled [Blue, Green, and Brown] - 1952 - Mark Rothko Brushed Aluminum Print - 70x100 cm / 28x40 inches | Mark Rothko Aluminum Print | Mark Rothko Prints

Preço normal $399.99 USD
Preço normal $899.99 USD Preço de saldo $399.99 USD
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Mark Rothko's Untitled [Blue, Green, and Brown] - 1952 on Brushed Aluminum

Immerse yourself in the profound emotional resonance of Mark Rothko's iconic 1952 masterpiece, Untitled [Blue, Green, and Brown]. This museum-quality reproduction captures the artist's signature Color Field technique, where luminous layers of blue, green, and brown hues blend seamlessly to evoke contemplation and transcendence. Rothko's work from this period sought to express basic human emotions—joy, tragedy, ecstasy—through pure color and form, making this piece a timeless statement in modern art.

RedKalion presents this archival-grade print on premium brushed silver Aluminum DIBOND®, a material that enhances Rothko's ethereal palette with a dynamic metallic finish. The 3mm thickness ensures a durable, gallery-ready display, while the direct print technology preserves every subtle gradient with vivid, fade-resistant colors. The matte, glare-free surface reveals a striking brushed silver effect in unprinted areas, adding a contemporary edge to this classic abstraction.

Elevate your space with a fine art print that combines historical significance with modern craftsmanship. Each piece includes a complete hanging kit for effortless installation, offering a sophisticated addition to homes, offices, or galleries. Trust RedKalion for authentic reproductions that honor the artist's vision and endure for generations.

  • Material: Brushed silver Aluminum DIBOND® with a metallic finish and horizontal grain.
  • Thickness: 3mm (0.12") for a rigid, durable base.
  • Printing: Direct print on AluDibond for vivid colors and a matte finish; unprinted areas show metallic silver.
  • Finish: Matte, glare-free, ideal for enhancing Rothko's color fields with a brushed silver effect.
  • Size: 70x100 cm / 28x40 inches.
  • Included: Hanging kit (varies by country).
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At RedKalion, you can find virtually any artwork from any artist, available in a wide range of sizes to perfectly match your space.

If you didn’t find what you’re looking for, contact us at support@redkalion.com . We will source any artwork and produce it in any size and format you need, including art prints, posters, canvas, framed pieces, framed canvas, and more.


For dedicated art enthusiasts, we also offer handcrafted replicas of any artwork, carefully painted by highly skilled artists using traditional techniques.

For custom requests, contact us at support@redkalion.com .

What are the dimensions of this Mark Rothko aluminum print?

This fine art print measures 70x100 cm (28x40 inches), offering a substantial presence ideal for wall display in homes or offices.

What material is used for this museum-quality reproduction?

It's printed on brushed silver Aluminum DIBOND® with a 3mm thickness, providing a durable, rigid base and a dynamic metallic finish.

How is the print applied to the aluminum surface?

We use direct print technology on AluDibond for vivid, fade-resistant colors and a matte finish, with unprinted areas revealing a metallic silver effect.

Is a hanging kit included with this Rothko print?

Yes, a complete hanging kit is included; specific components may vary by fulfillment country for easy installation.

How does the finish enhance this abstract art print?

The matte, glare-free finish minimizes reflections, making it ideal for Rothko's Color Field painting and adding a brushed silver effect.

What is the historical significance of Rothko's 1952 untitled work?

Created during his peak Color Field period, this piece uses blue, green, and brown to evoke deep human emotions, reflecting Rothko's move toward abstraction and spiritual expression in modern art.

Why did Rothko use such large color fields in this artwork?

Rothko believed large, blurred color blocks could immerse viewers emotionally, aiming to create a meditative experience rather than depict physical forms, as seen in this 1952 masterpiece.